The Meteretes! Children's Theatre in the summer season in Mar del Plata:
"VILLA MITRE." Mar del Plata: Lamadrid September 3870 From Saturday (every Saturday from January to the 19 Hs)
ROOM "A" CULTURAL CENTER OSVALDO SORIANO de Mar del Plata every Sunday of January 19:15. BLUE HOUSE
and every day Monday in January in Santa Clara del Mar. .. 21 Hrs (Montreal Streets and Estoril.) (From Mar del Plata line 221.)
PLOT SUMMARY
MEMA and TOBIAS, two curious and anxious kids like everyone else, is find and meet at the door of an old abandoned theater.
All parents told their children that this place was closed, which was ° ¨ and dangerous that they should not approach, MEMA, new in the neighborhood, unaware of the ban. She, with a strong personality carries the fearful TOBIAS in the adventure of discovering a new, magical play area. Once inside they find that the stage is filled with original and attractive items.
Costumes, wigs, hats, a trunk, the frame of a mirror, coat rack, a picturesque old camera and an old reflector.
The characters begin with each element a new game. The excitement and atmosphere of the theater in which are contributing to MEMA and TOBIAS inadvertently turn into actors, starring in and every frame.
Far from the watchful eyes of large enjoy full of different situations.
Amid much fun the METERETES become aware of the importance of the find.
thematic trigger the play "THE METERETES"
The book describes the play of two children, puts the theater as a trigger of creative imagination.
BOYS AND THEATRE
Children are by nature actors, since the theater is playing, is playing here and now and believe in that game as truth. In childhood the theater appears through symbolic play, ie, from which children can begin to represent, internalize and reproduce situations experienced. These reproductions are made theater through which they can express their feelings, seek to resolve situations, move their troubles. In these games the boys play roles and behaviors nearby, or make up characters from different stimuli and items (clothing, objects).
manage change in general character or role quickly, from a trigger that suggests they imagine, create, and this allows them to experience constant change, from the game, not stuck in stereotypes.
THE METERETES, is a synthesis of all this, because, just two children who experience, research, create and above all play and they learn from the same game. Have to agree, resolve conflicts, accept the other, waiting their turn to propose, to adapt to what the other proposed major and emerging issues of this developmental stage.
We believe that through the work, not just a product we are showing dramatic, if not also offer them spying through the keyhole of this theater as if they were looking at playing themselves. Certainly identify with the characters, their feelings, sometimes contradictory, and, above all, a sense of play, shuffle, review, investigate and discover.
know that nowadays more and are more schools and kindergartens that recording, the importance of theater, incorporating it as a matter of form or extra curricular program. We believe that METERETES, is a synthesis, and a way to approach this art form as well as through a workshop, children experience through dramatic play or dramatic, so assets can be observed, approaching from the identification .
In general, children's plays are developed from a story that travel different characters recognizable to the kids, who have an issue close to them, this work is a way to get into the theme of " boys and theater, "meaning that represents an interaction between what it means for children to make a direct experience (the theater in school or visiting a theater), and the pleasure of enjoying a show that not only is taking into account their interests, but it also seeks to build on the contents of the area. So, that it can be harnessed as a trigger, both teachers in the area, such as teachers or grade room who are trying and researching the subject, or choose to do so. THE METERETES
If allowed to enjoy this game and children shared between actors creating a moment where we all communicate and "play together", if a way to bring them to the theater, awaken curiosity about the performance (innate in them), our task is accomplished. KARIN
GILSZLAK
Meterete Team Cast: Valeria Tertia and Joaquin Baldin
Music: Fernando Lerman
Texts and Songs: Daniel Berbedes
Lighting & Coach: Jose Luis Baldin
Costume: Baldin - Tercia (The Old Man and His Red Ovillo Thimbles Enchanted) J
Release: Team "Charivari" - Artercia
Executive Producer: "Charivari" - Artercia
Management and Commissioning: Joaquín Baldin
Valeria Tertia was born in Mar del Plata, graduated from the Municipal School of Drama and Theatre Workshop of the National University, led by Antonio Monaco. Dance Theater takes classes with Marisa Gozzi, Alberto Drago playwriting, acting training with Enrique Baigol, theater with Ricardo Bartis, Clown, Clown, Commedia dell 'Arte and composition Clown Cristina Moreira. Butoh Dance Workshop by Patricia Aschieri, CABA.Trabaja as an actress in various theatrical performances, including: "That you're not", dir. Mauro Molina, winning play Starfish Award 2008 in the category Best Show Off and obtiendo Theatre as an actress nomination for the 2008 Starfish Award in the category Revelation. Previous acting work: "Cooking with Elisa", dir. Grace Spinelli, "Ay, poet!" Dir Tanya Barbieri, among others. Involved in theater read cycles. Acting in commercials for Argentina, Latin America and global campaigns. In film: "Avant Premiere", dir. Daniel Bustamante. And participates in several short films. Develops parallel artistic productions for corporate and social events.
Joaquin was born in the city of La Plata. (Province of Buenos Aires.) Made his professional debut in 1985 in the city of Mar del Plata. Study with the most prestigious exponents of the art teaching:
Fernando Cayo: Techniques and Composition of Per. Comedia del Arte. (2004) Madrid.Roberto Garcia Torres: Air Techniques. Carampa Escape From Circus Circus and Esc Municipal de Alcorcón. Madrid. Spain (1999/00) Videla Brothers: Escuela de Circo Criollo (trapeze, acrobatics, comedy, juggling and other arts.) (1992-96.) Cap. Rep. Fed Argentina.Ángel Elizondo: Mime Theatre. Body techniques. (1992/93.) Cap. Fed Argentina.Horacio Marassi: mime techniques. Cap. Sep. Fed Argentina (1992) Héctor Malamud: Comical. Techniques for creating a comic character. Clown techniques. (1993) Chap. Federal. Argentina.Susana Rivero: Experimental Theatre. Ricardo Rojas Cultural Center. Cap. Argentina Fed. (1990) Alberto Ivern: Téc Mime Theatre and body. Centro Cultural General San Martín. Argentina. (1988) Alberto Aguero: Mime Theatre and Tap-Dance. Institute Fame. Cap. Argentina Fed. (1987-1990) Monica Povoli: TAP-Dance. Institute Fame. Cap. Argentina Fed. (1988/89) Eduardo Alonso: Mime and Pantomime Theatre. Mar del Plata. Argentina. (1985/86) Angel Orfino: Course of acting techniques. Banking Assoc. Mar del Plata. Argentina. (1984-1986)
Make: Performances in Theatre. Radio. Television. Film and Circus. In Argentina-Uruguay-Brazil-Spain-Portugal-France-Germany and Switzerland.
Creator of the First School Urban Circus. Since 1994 she has directed the Mime Theatre Co. and Art Circus "Charivari."
AWARDS 1999: "Plop Circus Charivari" You get two nominations Starfish: Best book for children. (Joaquín Baldin). Best original music. (Marcelo Sanjurge) .1998: "Laberintus Circus" gets four nominations for the Starfish Award for: Best Costume Design. (Welter and Joaquin Lucrecia Baldin). Best Entertainment Circus. (Charivari and Joaquin Co. Baldin). Best Show Marplatense. (Charivari and Joaquin Co. Baldin). Best Direction Marplatense. (Joaquín Baldin). "Laberintus Circus" obtained in the First National Theater Festival de Mar del Plata and Mar del Plata Theatre Tenth Meeting of the following awards: Best Play of Children. (Charivari and Joaquin Co. Baldin). Best Direction. (Joaquín Baldin). Outstanding Lead Actor. (Joaquín Baldin). Best Actress. (Grace Lemus). Best Actress co-star. (Tais Gago). Child Acting Special Mention. (Amparo Morrone.) Is awarded an Honorable Mention Award Faro de Oro for his contribution to the development of circus activities to create the first Urban Circus School Argentina.1996: Starfish Award for Best Entertainment Circus for the work "Variety". (Co. Crash.) 1993: Get a new distinction in the "X Festival of Song and Music for Life and Freedom" 1991 "Subway Manager" is awarded as the Best child labor by the Directorate General of Cultural Action and Promotion of the Municipality of City of Buenos Aires 1990: Receives a distinction in the "VII Festival of Song and Music for Life and Freedom" for his collaboration with human rights organizations. 1988: The book "The Circus of Alberto Agüero" gets a nomination for Best Play Award Prensario'88. 1987: Cia. TAP and Dance Alberto Agüero obtain the Starfish Award: Best Show.
Vivo, improvisation show with masks Marcelo Savignone
Mamut Colectivo Objects making an Improvised Theatre
Mexico would win by 4 votes, was a great night. Canada and England did not participate.
was gratifying as a group to achieve a festival like this, a pulse, a lot of work and learning. We are already working on next. For now, with most of these companies, we will meet again in March at the world's largest festival, the Iberoamerican Colombia.
Mr.Impro of students, Diego Carrasco gets the title of the night
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