And in 2011 lenvatemos our voices so that no one @ Niñ their rights violated in Argentina and worldwide.
Friday, December 24, 2010
Respiration Reptiles Cold
Happy Holidays and a Happy 2011 I wish with all my heart ... Course Info
And in 2011 lenvatemos our voices so that no one @ Niñ their rights violated in Argentina and worldwide.
started the course
And in 2011 lenvatemos our voices so that no one @ Niñ their rights violated in Argentina and worldwide.
Friday, October 8, 2010
3g Huawei Router Singapore
Improvisers FESTIVAL OF IMPROVISATION WORKSHOPS
To purchase your tickets visit
http://www.ticketpro.cl/jnp/cat-events/499854-festival-improvisacion-principal . html 
The F summer I nternational of I m proviso , is an improvisational meeting will be held from 20 to 28 of the November 2010 at Teatro Oriente and calls to 8 countries who develop this discipline that has won thousands of fans in Chile. Guests in this release are Argentina, Colombia, Mexico, Brazil, Spain, Germany and Canada.
invited Companies present their shows for children, youth and adults, conduct workshops and performances involving groups formed by members of all countries.
During the 8 days of the Festival will present 20 performances that show the best companies in the genre.
Improvisers,
members of the cast of the hit show
Via X
are hosting this meeting, participating
with their performances and the presentation
all shows
members of the cast of the hit show
Via X
are hosting this meeting, participating
with their performances and the presentation
all shows
Find out more about our festival please visit the following link
http://www.festivallosimprovisadores.cl/pag1.html To purchase your tickets visit
http://www.ticketpro.cl/jnp/cat-events/499854-festival-improvisacion-principal . html
Monday, September 27, 2010
How To Hack For Arceus In Soul
Corporal Mime Theatre Actors We Asoc Arg-up! Gallery October 2010
Technical Quarterly Corporeal Mime Theatre headquarters of the Association of Actors Argentina in Buenos Aires. Alsina site in 1762. (A few steps from the Congress of the Nation) 0054-11-5281 Phone is 9917 and the mail to register and collect info is sec_cultura@actores.org.ar
This course is open to the community and not just for members. We
Tuesdays from 19 to 21 Hs
Hope to see you there.
If you are concerned that this experince is repeated in your area can contact Joaquin Baldin on the phone (0054) - 11-47825385
Thank you all for your attention and cooperation. Baldin Joaquin
Technical Quarterly Corporeal Mime Theatre headquarters of the Association of Actors Argentina in Buenos Aires. Alsina site in 1762. (A few steps from the Congress of the Nation) 0054-11-5281 Phone is 9917 and the mail to register and collect info is sec_cultura@actores.org.ar
This course is open to the community and not just for members. We
Tuesdays from 19 to 21 Hs
Hope to see you there.
If you are concerned that this experince is repeated in your area can contact Joaquin Baldin on the phone (0054) - 11-47825385
Thank you all for your attention and cooperation. Baldin Joaquin
Thursday, September 16, 2010
Vintage Pin Up Dresses
PLOPIANOS characters! Interview with Joaquin
not wait to tell you what you do: To make your event or private social hierarchy has
ONLY professional contract.
 |
| Mr Plop Prior to the child Tantanakuy performance. Jujuy Pcia. 2099 |
 |
| in Miramar Sr Plop Culture For All. Year 2007 |
 |
| Mr Plop: The Art of Clown. 2010 Buenos Aires. |
 |
| Mr Plop: The Mime 2009 Buenos Aires Argentina. |
 |
| Mr Plop with the number of Mime Theatre and musical saw: Water Circus. Mar del Plata 2010, |
 |
| Sr Plop: The press echoed your event |
 |
| : Art from the stilts. 2010 |
 |
| Mr Plop: The Gastrocrom (The original) It can not lacking in social event. |
Friday, September 3, 2010
What Do My Wrist Bands Mean
Baldin '• The Word of a mime. " [Joacobal] in San Ginés
Interview with Joaquin Baldin '• The Word of a mime. " [Joacobal] in Whohub
How were your beginnings in the interpretation?
There are two stages: A preview before 1985, which became the pawn in the circus as Real Madrid (Hnos Segura.) Than in those years walking in Mar del Plata and the other is when I start to make theater and pantomime in the same city in a group called "Cronopios." I note in my early lessons learned with Don Eduardo Alonso (Master Techniques Mime Theatre) and the strong influence even after that great clown adoprte with late (and friend of my family) who was called Fernando Lucero: In the learning love the art of mime and the need to delve into everyday learning. In those years, besides studying drama and mime also acted in the group mentioned.
in April this year I MY FIRST 25 YEARS OF OCCUPATION (UNINTERRUPTED)
When did you come to the conviction that could profesionalizarte in interpretation?
After conducting several studies in Mar del Plata, I was able to see me act Don Alberto Aguero, a prestigious professional performing arts of Argentina. I was invited to join the Society of Alberto Agüero, acting in the legendary book "The Circus of Alberto Agüero." (Moliere Award. Starfish Awards, etc.) with this teacher I finally know what a professional contract. In 1987 debut in that company. In the season opener at Globe Theater in Buenos Aires.
Any Internet address where we can see something from you?
http://www.youtube.com/watch?v=w0-Dfn4K490
http://www.youtube.com/watch?v=srnq7zpL2yo
http://www.youtube.com/watch?v=083vU50LW3I
http://www.youtube.com/watch?v=ogaS5Yzzps8
http://www.youtube.com/watch?v=10q4dkfnNuU
http://www.youtube.com/watch?v=c5JLr786flM
http://www.youtube.com/watch?v=abpS33l8-BA
http://www.youtube.com/watch?v=yITsz1cHvgk
http://www.youtube.com/watch?v=HcqlclX1mIk
http://www.youtube.com/watch?v=iLWMw-tTpNA
http://www.youtube.com/watch?v=NngKM8KV8Kk
http://www.youtube.com/watch?v=GE0uLd_yrY4
http://www.youtube.com/watch?v=3f5Ggpm0_sw
The most important and defining work in your career
are many, but I remember with great affection shows such as "Graffiti" Dir by Baldin and Rodriguez. "El Circo de Alberto Agüero" Dir by A. Agüero. "Reflections on Silence" by J. Dir Baldin. "Stories economicomicas" Hugo Gregorini Dir. "A Soldier's Story" Dir Marcelo Perticone, F. Bello. "Subway Manager." Dir Baldin-Berbedes "The Chalet de Gardel" Dir Carlos Moreno. "Babylon laughs." and Three Blind Mice (Both directed by Hector Malamud.) "Let It Plop Plin" my second-person, or "Circus Plop" etc ... ah me today olvidadaba rogozija me do "The Meteretes What's behind that door? of Berbedes and Lerman with Dir J. Baldin and performances by Valeria Tertia my traveling companion! ... and quite sure I have left at least 30 more shows to remember, but ... without doubt the most important was to create the "First School of Urban Circus." of Argentina (1996) with her my Mime Theatre Company & Art Circus "Charivari" (1994)
Do some interpretations that I have served as reference in your evolution?
"The Partenaire" in "El Circo de Alberto Agüero. Mr Plop in" Laberintus Circus "in which I put into practice a whole array of resources, from the action, through the techniques of mime, acrobatics, trapeze ... in this show, which undoubtedly is the most important among the major (although not named above) won with my dental Mime Theatre and Circus Arts "Charivari" 6 awards at the 1st National Theatre Festival in Ocean del Plata. and several nominations in other awards. but back to the answer highlight several characters made in a English Agency working on Europa Park (Germany.) or the character of "The Soldier" in "The Soldier's Tale by Igor Stravinsky and directed M. Perticone, F. Bello. I recently served for evoluciionar the character of "The Doctor" in the play "The King Dies" by Eugene Ionesco. In movies I have made several important characters for my career development and to highlight named three: "The Man" in the "Salvation" Dir G. Panarisi. and D. Medeia. (Spain) "A Scientist" in "Eternity" by J. Castelejo (France-Spain-) or "Martin" in "Miss Amnesia" by D. Ramirez (Spain.) ... and of course remain unnamed insurance number will then appear.
three actors and three actresses that you like:
Sean Penn. The English Ramiro Melgar and Javier Bardem. The Argentina actress Valeria Tertia. The English actress Carmen Maura Rosana Pastor and .
What kind of psychological preparation, physical and emotional do before a performance?
Day function at a very early try to be concentrated, even engaged in other activities. I also do many works of relaxation, breathing, stretching, etc. It is essential for me to be no less than three hours before my venue reviewing my material, stylized makeup, or simply relax and focus. Fundamental order and good cheer, and always emotionally whatever I do I spend function to my parents, my daughter and my affections away. Cross myself and go out with the right foot on stage ... even when the first step in visual scene to the viewer what I on the right foot ...
What is your criteria for selecting projects?
Important containing me. Must be professional (or at least appear so because lately I keep a big distaste for working with amateurs, professionals were thinking ...) should be of high quality and stage should primarily be addressed primarily to enable the viewer to enjoy: I I can not stand the shows under which only look at the navel and mentally masturbate making a job for 5 or 6 viewers ...
What kind of communication is established with the directors?
Front and sincere. ongoing participation and consultation. Do not believe the actor-puppet or the puppeteer-director: The stage performance is a joint effort in which each party must run like clockwork, and everyone should know exactly what you need to do is essential to address the actor actor ... but there is no theater, so the relationship with management is ongoing teamwork.
What is the archetype of character that tend to typecast?
actor. But I excellently villain villain ... lol
Is there a role that had a particular difficulty for you?
usually the first test came with the letter known ... to try to suffer as little as possible with the evolution of or characters, each role has its complexity, its dark story, their pain and joy to blossom Skin: I had complications with "Moe" in "Three Blind Mice" or "The Soldier" in "The Soldier's Tale." I have dealt with a lot of loneliness and anguish creating the "Doctor" "The King Dies" ... each creation carries thousands of difficulties, even advanced and the season and that's what makes the art scene is an art full of life .. .
Do you see yourself in this same office in twenty years?
no doubt. and probably in my next reincarnation reborn as Actor. As Mimo or Director. Maybe Clown ... (Small-town circus) undoubtedly born to die as an artist.
What do you do to kill time waiting in the casting? Leo
review books or the acting, writing, or just get it about time for not having to wait.
you still forming you in classes, seminars or courses, and combine it with your professional activity?
Si. Is key to progress and face the profession with complete freshness, I am currently taking a course in Writing and Drama Comedy Theatre with Mr. Alfredo Allende, in Buenos Aires. Training provided should be linked to a better performance in work. Is very grateful to get to work knowing that you are aware. (And updated)
fetish Is there a role you have not played yet and you between the eyes to do some day?
"The Man." in Krapp's Last Tape. I would have liked to play Puck in "Dream of a Summer Night" ... like me ... Charles Chaplin to life or someone appears and I intend to make life Armando Discepolo ... anyway there are thousands of papers that I have wanted to do ... if not give me time to make jajajajaja but ... if ... there are several ...
Describe the best and worst, in your experience, every media: film, theater, television.:
best film is the very complex world that conforms to the time of making history , its microcosm that interconnect with each other to shape a global world called FILM. The worst thing about cinema is inaccessible, especially in Argentina (where I currently reside) it is to enter production professionals, because the filters are usually so many that you end up not to have so many unpleasant castings that lead nowhere. The film is magic, the world around him makes vulgar.
The theater is a temple where one goes to confession at every performance, theater and creation is a mystery, magic and passion is the greatest art in the arts. The downside of the theater is the ease with which it let to much improvised, believed to be entitled to act. (Or directing a project)
In the current TV has almost no room for artistic interpretation: Anyone can enter, just throw a fart in F minor, the television was half massive served the arts, and not, perhaps will be in the future, the television must regain respect and style of education, entertainment and communication made it into every home. That spirit was lost (especially in large cities.) We must recover the television for education and good taste. Necessary. This question would fail to mention another great way RADIO: Survivor of oral communication that reaches it alone where no way you can get, even with the arrival of new technologies.
Is there any scene or character that never interpreted by moral issues, principles, or simply personal taboos?
No. interpret what he believes to be interpreted according to the quality of the project and its final destination is the public. But even knowing that is an interpretation and that the actor represents, moral states, passions, I have no problem in representing or interpreting or that I propose: My style is that each character is born, grows, it reproduces and dies each time there will be the backdrop or the light turns red ... then everyone returns to their world and so live together harmoniously.
you say that your tools of the actor belongs to a particular school or method?
could say that the tools I got my Masters are what led me to seek more and better schools.
What director would you like to read this interview? What kind of role you would have offered?
... Dayub Mauritius. Carlos Moreno. Benito Gutmacher. Villanueva Cosse. Lito Cruz. Franco Dragone. Philippe Genty. Leo Bassi, Hugo Gregorini ...
and many more ... paper? I would not think that project is working every one of them at this time, but usually when someone calls me is because he has in mind to give a lot more professional that to be the uncle of the protagonist, even though so this character and convened by some of these important references, would be proud to work with them.
ever thought about leaving the profession? If yes, when? Why not?
I have not had that opportunity because for 25 years is my way of living and interacting with the world.
One reason to do this work
A? is hardly ever told ... "... The theater communicates to the people, unifies feelings and emotions, drama is a powerful way of interfacing between the most different races and life forms, the theater is life and life is theater, theater is the enemy Silent dictators will never mute, because if you deny the word reborn silence and theatrical power ... the gesture ... the body ... it is impossible to hide ... the theater is my way of life ... In the variety of my training as well as scenic Mime, Actor or Director always Clown redeem me, because I love this life ... "The circus is a way of life and many choose the man. The Clown is a way of being like so many there.'s Circus and the Clown simply engaged to deliver happiness on earth. " (Mr. Plop)
What do you feel when people recognize you on the street?
I am a worker of the performing arts in all its forms, I have never will be clear that neither a popular nor a media. Art needs of workers, not celebrities. But answering this question, every time I leave my place of work is very nice that people will wait and then returns on the lived ...
What advice would you give to someone who wants to start in acting?
There is only one way to begin and end in this profession, and is, STUDYING! working, sweating, respecting @ s @ s compañer whatever their condition ... tod @ sl @ s that come in this Art (In this particular case I mean the Art of Mime but it is traspola performance throughout the whole, and is that one way or another we get caught, because we note that once you start walking paths extend more and more, is not or Actor or Clown Mime in an intensive, Mimo It is (or artist) on conviction and dedication, maybe life is leaving us and we did not try this but in the greatness. Joaquin
Baldin '• The Word of a mime. "
Buenos Aires. Argentina
© Joaquín Baldin '• The Word of a mime. "
Web address for this interview: http://www.whohub.com/joacobal 
INTERPRETATION
There are two stages: A preview before 1985, which became the pawn in the circus as Real Madrid (Hnos Segura.) Than in those years walking in Mar del Plata and the other is when I start to make theater and pantomime in the same city in a group called "Cronopios." I note in my early lessons learned with Don Eduardo Alonso (Master Techniques Mime Theatre) and the strong influence even after that great clown adoprte with late (and friend of my family) who was called Fernando Lucero: In the learning love the art of mime and the need to delve into everyday learning. In those years, besides studying drama and mime also acted in the group mentioned.
in April this year I MY FIRST 25 YEARS OF OCCUPATION (UNINTERRUPTED)
When did you come to the conviction that could profesionalizarte in interpretation?
After conducting several studies in Mar del Plata, I was able to see me act Don Alberto Aguero, a prestigious professional performing arts of Argentina. I was invited to join the Society of Alberto Agüero, acting in the legendary book "The Circus of Alberto Agüero." (Moliere Award. Starfish Awards, etc.) with this teacher I finally know what a professional contract. In 1987 debut in that company. In the season opener at Globe Theater in Buenos Aires.
Any Internet address where we can see something from you?
http://www.youtube.com/watch?v=w0-Dfn4K490
http://www.youtube.com/watch?v=srnq7zpL2yo
http://www.youtube.com/watch?v=083vU50LW3I
http://www.youtube.com/watch?v=ogaS5Yzzps8
http://www.youtube.com/watch?v=10q4dkfnNuU
http://www.youtube.com/watch?v=c5JLr786flM
http://www.youtube.com/watch?v=abpS33l8-BA
http://www.youtube.com/watch?v=yITsz1cHvgk
http://www.youtube.com/watch?v=HcqlclX1mIk
http://www.youtube.com/watch?v=iLWMw-tTpNA
http://www.youtube.com/watch?v=NngKM8KV8Kk
http://www.youtube.com/watch?v=GE0uLd_yrY4
http://www.youtube.com/watch?v=3f5Ggpm0_sw
The most important and defining work in your career
are many, but I remember with great affection shows such as "Graffiti" Dir by Baldin and Rodriguez. "El Circo de Alberto Agüero" Dir by A. Agüero. "Reflections on Silence" by J. Dir Baldin. "Stories economicomicas" Hugo Gregorini Dir. "A Soldier's Story" Dir Marcelo Perticone, F. Bello. "Subway Manager." Dir Baldin-Berbedes "The Chalet de Gardel" Dir Carlos Moreno. "Babylon laughs." and Three Blind Mice (Both directed by Hector Malamud.) "Let It Plop Plin" my second-person, or "Circus Plop" etc ... ah me today olvidadaba rogozija me do "The Meteretes What's behind that door? of Berbedes and Lerman with Dir J. Baldin and performances by Valeria Tertia my traveling companion! ... and quite sure I have left at least 30 more shows to remember, but ... without doubt the most important was to create the "First School of Urban Circus." of Argentina (1996) with her my Mime Theatre Company & Art Circus "Charivari" (1994)
Do some interpretations that I have served as reference in your evolution?
"The Partenaire" in "El Circo de Alberto Agüero. Mr Plop in" Laberintus Circus "in which I put into practice a whole array of resources, from the action, through the techniques of mime, acrobatics, trapeze ... in this show, which undoubtedly is the most important among the major (although not named above) won with my dental Mime Theatre and Circus Arts "Charivari" 6 awards at the 1st National Theatre Festival in Ocean del Plata. and several nominations in other awards. but back to the answer highlight several characters made in a English Agency working on Europa Park (Germany.) or the character of "The Soldier" in "The Soldier's Tale by Igor Stravinsky and directed M. Perticone, F. Bello. I recently served for evoluciionar the character of "The Doctor" in the play "The King Dies" by Eugene Ionesco. In movies I have made several important characters for my career development and to highlight named three: "The Man" in the "Salvation" Dir G. Panarisi. and D. Medeia. (Spain) "A Scientist" in "Eternity" by J. Castelejo (France-Spain-) or "Martin" in "Miss Amnesia" by D. Ramirez (Spain.) ... and of course remain unnamed insurance number will then appear.
three actors and three actresses that you like:
Sean Penn. The English Ramiro Melgar and Javier Bardem. The Argentina actress Valeria Tertia. The English actress Carmen Maura Rosana Pastor and .
What kind of psychological preparation, physical and emotional do before a performance?
Day function at a very early try to be concentrated, even engaged in other activities. I also do many works of relaxation, breathing, stretching, etc. It is essential for me to be no less than three hours before my venue reviewing my material, stylized makeup, or simply relax and focus. Fundamental order and good cheer, and always emotionally whatever I do I spend function to my parents, my daughter and my affections away. Cross myself and go out with the right foot on stage ... even when the first step in visual scene to the viewer what I on the right foot ...
What is your criteria for selecting projects?
Important containing me. Must be professional (or at least appear so because lately I keep a big distaste for working with amateurs, professionals were thinking ...) should be of high quality and stage should primarily be addressed primarily to enable the viewer to enjoy: I I can not stand the shows under which only look at the navel and mentally masturbate making a job for 5 or 6 viewers ...
What kind of communication is established with the directors?
Front and sincere. ongoing participation and consultation. Do not believe the actor-puppet or the puppeteer-director: The stage performance is a joint effort in which each party must run like clockwork, and everyone should know exactly what you need to do is essential to address the actor actor ... but there is no theater, so the relationship with management is ongoing teamwork.
What is the archetype of character that tend to typecast?
actor. But I excellently villain villain ... lol
Is there a role that had a particular difficulty for you?
usually the first test came with the letter known ... to try to suffer as little as possible with the evolution of or characters, each role has its complexity, its dark story, their pain and joy to blossom Skin: I had complications with "Moe" in "Three Blind Mice" or "The Soldier" in "The Soldier's Tale." I have dealt with a lot of loneliness and anguish creating the "Doctor" "The King Dies" ... each creation carries thousands of difficulties, even advanced and the season and that's what makes the art scene is an art full of life .. .
Do you see yourself in this same office in twenty years?
no doubt. and probably in my next reincarnation reborn as Actor. As Mimo or Director. Maybe Clown ... (Small-town circus) undoubtedly born to die as an artist.
What do you do to kill time waiting in the casting? Leo
review books or the acting, writing, or just get it about time for not having to wait.
you still forming you in classes, seminars or courses, and combine it with your professional activity?
Si. Is key to progress and face the profession with complete freshness, I am currently taking a course in Writing and Drama Comedy Theatre with Mr. Alfredo Allende, in Buenos Aires. Training provided should be linked to a better performance in work. Is very grateful to get to work knowing that you are aware. (And updated)
fetish Is there a role you have not played yet and you between the eyes to do some day?
"The Man." in Krapp's Last Tape. I would have liked to play Puck in "Dream of a Summer Night" ... like me ... Charles Chaplin to life or someone appears and I intend to make life Armando Discepolo ... anyway there are thousands of papers that I have wanted to do ... if not give me time to make jajajajaja but ... if ... there are several ...
Describe the best and worst, in your experience, every media: film, theater, television.:
best film is the very complex world that conforms to the time of making history , its microcosm that interconnect with each other to shape a global world called FILM. The worst thing about cinema is inaccessible, especially in Argentina (where I currently reside) it is to enter production professionals, because the filters are usually so many that you end up not to have so many unpleasant castings that lead nowhere. The film is magic, the world around him makes vulgar.
The theater is a temple where one goes to confession at every performance, theater and creation is a mystery, magic and passion is the greatest art in the arts. The downside of the theater is the ease with which it let to much improvised, believed to be entitled to act. (Or directing a project)
In the current TV has almost no room for artistic interpretation: Anyone can enter, just throw a fart in F minor, the television was half massive served the arts, and not, perhaps will be in the future, the television must regain respect and style of education, entertainment and communication made it into every home. That spirit was lost (especially in large cities.) We must recover the television for education and good taste. Necessary. This question would fail to mention another great way RADIO: Survivor of oral communication that reaches it alone where no way you can get, even with the arrival of new technologies.
Is there any scene or character that never interpreted by moral issues, principles, or simply personal taboos?
No. interpret what he believes to be interpreted according to the quality of the project and its final destination is the public. But even knowing that is an interpretation and that the actor represents, moral states, passions, I have no problem in representing or interpreting or that I propose: My style is that each character is born, grows, it reproduces and dies each time there will be the backdrop or the light turns red ... then everyone returns to their world and so live together harmoniously.
you say that your tools of the actor belongs to a particular school or method?
could say that the tools I got my Masters are what led me to seek more and better schools.
What director would you like to read this interview? What kind of role you would have offered?
... Dayub Mauritius. Carlos Moreno. Benito Gutmacher. Villanueva Cosse. Lito Cruz. Franco Dragone. Philippe Genty. Leo Bassi, Hugo Gregorini ...
and many more ... paper? I would not think that project is working every one of them at this time, but usually when someone calls me is because he has in mind to give a lot more professional that to be the uncle of the protagonist, even though so this character and convened by some of these important references, would be proud to work with them.
ever thought about leaving the profession? If yes, when? Why not?
I have not had that opportunity because for 25 years is my way of living and interacting with the world.
One reason to do this work
A? is hardly ever told ... "... The theater communicates to the people, unifies feelings and emotions, drama is a powerful way of interfacing between the most different races and life forms, the theater is life and life is theater, theater is the enemy Silent dictators will never mute, because if you deny the word reborn silence and theatrical power ... the gesture ... the body ... it is impossible to hide ... the theater is my way of life ... In the variety of my training as well as scenic Mime, Actor or Director always Clown redeem me, because I love this life ... "The circus is a way of life and many choose the man. The Clown is a way of being like so many there.'s Circus and the Clown simply engaged to deliver happiness on earth. " (Mr. Plop)
What do you feel when people recognize you on the street?
I am a worker of the performing arts in all its forms, I have never will be clear that neither a popular nor a media. Art needs of workers, not celebrities. But answering this question, every time I leave my place of work is very nice that people will wait and then returns on the lived ...
What advice would you give to someone who wants to start in acting?
There is only one way to begin and end in this profession, and is, STUDYING! working, sweating, respecting @ s @ s compañer whatever their condition ... tod @ sl @ s that come in this Art (In this particular case I mean the Art of Mime but it is traspola performance throughout the whole, and is that one way or another we get caught, because we note that once you start walking paths extend more and more, is not or Actor or Clown Mime in an intensive, Mimo It is (or artist) on conviction and dedication, maybe life is leaving us and we did not try this but in the greatness. Joaquin
Baldin '• The Word of a mime. "
Buenos Aires. Argentina
© Joaquín Baldin '• The Word of a mime. "
Web address for this interview: http://www.whohub.com/joacobal
Thursday, August 26, 2010
What's Softball Bat -10?
Whohub patron of actors Joaquin Baldin
comedian was a pagan. Saw baptism as a Christian, came to the emperor Diocletian parody, playing the sick role. Those who "managed" pretended, but he was moved by the grace of God, received the baptism of water, it had just become internally Him Soon after, the blood, for refusing to worship the gods.
Dead in Rome under the reign of Diocletian. Actor by trade, played the part of a pagan who is baptized and becomes, therefore, the derision of all. Fell in his game, he received the grace of faith and, upon completion of the performance, being a Christian. As it was in full pursuit and refused to recant, was sentenced to death and beheaded.
comedian was a pagan. Saw baptism as a Christian, came to the emperor Diocletian parody, playing the sick role. Those who "managed" pretended, but he was moved by the grace of God, received the baptism of water, it had just become internally Him Soon after, the blood, for refusing to worship the gods.
- Fiesta: August 25. San Ginés
Dead in Rome under the reign of Diocletian. Actor by trade, played the part of a pagan who is baptized and becomes, therefore, the derision of all. Fell in his game, he received the grace of faith and, upon completion of the performance, being a Christian. As it was in full pursuit and refused to recant, was sentenced to death and beheaded.
Monday, August 23, 2010
Ap Biology Lab Manual Lab 1
from the September 6 THEATRE IMPROVISATION
For people with no experience in theater
For people with no experience in theater
| Using the methodology of Keith Johnstone Impro workshop focuses on narrative and stage work learn to let go of fear, learn to fail with style Spontaneity, imbued with the proposals of our colleagues and play cooperatively. Forget the plans and live in the moment, use the last of improvisation, to cre ar future (reinstate) Hierarchies (Status), leave the conversation and exchange it for dramatic action (Slopes - tilts). also learn the value of real acting and creating characters. Contents: Group Dynamics: For greater confidence, playful attitude and spark creativity. Kinetics Dance : observation of human behavior. Improvisation Games and formats and Address: Impro Many formats are based on the address, but few improvisers are uncomfortable doing so (only advanced) Mime mime action or speaker (Physical Theatre): The mime technique used to tell stories in this context are: Design Space: The improviser can use your body to draw in space and environmental enrichment imagination created in improvised pieces. Sound Design: sounds produced by the voice or body of improvisers can create events, environments and enriching details to the story. Character Design: draw the essential details of the characters turns the living cartoon actors. Subject-Object: Using the body as scenery and special effects Bridges (audio, visual, action and gesture): Ways to change the scene in a movie (change of planes, miniatures, etc.). Classes begin Week of August 6 and are held in Room Chucre Manzur (passage Chucre Manzur # 7) www.salachucremanzur.cl The monthly amount is $ 30000 The Collective Mammoth Theatre Company is the most experienced in Chile on improvisation, his teachers have taught Chile, Argentina, Mexico, Peru, Brazil and Cuba. have studied with the founders of the world as Impro Keith Johnstone, Shawn Kinley, Steve Jaranda, Second City, Omar Argentino and more Teachers are: Monica Moya, Nicolas Sergio Dominguez Belmar and Come to study theater Mamut Colectivo with a healthy environment without competition. Monday: People with experience in improvisation Tuesday: People with no experience in theater Wednesday: People with experience in Theatre or Dance Saturday: Youth aged 15 to 18 years Classes are 19 to 22 hours. Saturdays from 10 to 12 and from 12:30 to 14:30 REQUESTS YOUR REGISTRATION FORM improtalleres2010@gmail.co Improv WorkShop by Diana Garcia  actress Diana García specializes in the art of theatrical improvisation, newly arrived from Mexico after winning a scholarship Fondart improvement in the art of improvisation with leading exponents Mexico, invites you to participate in this experience where they transmit their new knowledge. Location: Chucre Manzur, Shed 7, Bellavista. Mamut Colectivo School Impro Days: Monday, 23, 30 and Tuesday 24, August 31. Hours: 19:00 to 22:00 hrs. Value: Free Registration and more information: 09-960 80 37 Objectives: After completing the course, participants will: · have worked on the acceptance and development of their proposals and the proposals of their peers with an emphasis on constant attention. · playful recover the concept of performance from the resolution of contingencies. · They will have to structure the basic elements from improvised scenes to stories with specific formats and styles. · have developed suitable tools for implementing technology based Impro, from auditions and castings, to short stories and medium-term as well as games and exercises of Theatre Sports. Content:
Diana Garcia Actress graduated from the School of Communications Duoc UC, specializing in Improv and Stand Up Comedy Theatre. FONDART Award 2010, Project for the Improvement of Technology in Mexico City Improv, belonged to the professional company Lospleimovil Improvisation, with whom he developed a 5 year career. has participated in over 20 theatrical productions, has taught several workshops in Improvisation and serves as both Studio Theatre where the production notes World Executive Impro Chile 2008 and 2009, taught business skills with various companies such as Chilectra Banmédica and others. A acted in the films "Black Angel" and "Red", several short films and video clips. He has worked on various television programs that highlights the 3 rd and 4 th season of Stand Up Comedy "SCA" aired on Via X and juvenile Teleserie "Mitu" borne on Mega Channel, among others. He has participated in several theatrical festivals which include the International Festival of World Improvisation Impro Chile 2009 and 2008 and Festimpro among others. has supplemented his acting training courses and seminars with Improvisation, Teaching Theatre, Text Analysis for the construction of characters, Shakespeare Seminar, Clown, Musical Comedy, and other disciplines such as Flamenco, Tango, Yoga, Air and Dance Box. |
Monday, July 12, 2010
Psp Beach Volleyball Game
D omingo July 18 IMPROVISATION MARATHON
in
Chucre Manzur Sala
different improv shows to enjoy during the day.
* From 16 am
* have recovered funds will cover the costs of the theater.
Support us
Chucre Manzur Sala
(Mammoth Theatre)
Chucre Manzur S / N, Bellavista.
Accession
$ 3000
$ 5000
Accession
$ 3000
$ 5000
Friday, July 9, 2010
Thursday, July 8, 2010
Watch In The Loop Streaming
Lucia Morett and theater, a real relationship (seventh round)
Sunday August 2, 2009
Lucia Morett and theater, a real relationship (seventh round)
The tests were started immediately. The possibility of initiating a very short time that was an incentive to cast so large that in which all alike were willing to risk (as known to all we do at the independent theater) to win very little money or work for a scarce public. Never, in the fifteen years prior work, we found much unity around a theme. It was obviously important for everyone to tell this tale of crime and injustice perpetrated by man against man himself. The relevance that had to say something through our work was a unifying factor that had hardly known in our daily drama. So Lucia Morett notes in a videotaped interview on the occasion of the documentary "CORPORATION, a window to freedom" which tells twenty-year history of clusters and Black Light Company, recognizing the importance had the contents of the book "agony" for its integration into the Black Light Theater Company.
The work had been assembled and presented in such a unique role in the East FARO so the work would focus on the character of Luisa Vanzetti, to be characterized by Lucia. The challenge here was to preserve the introductory scene videotaped by Armando Casas, so that the management had to put special emphasis on the careful assembly of the new character to play. Lucia's acting versatility Andrea was highlighted by quickly finding the characteristics that distinguish one character from another to represent them. As rehearsals for the premiere coincided with the beginning of a new semester, was able to find the correct timing for the re assembly of the work albeit not more difficult for our actress and that, if required to work on the end of the semester, surely the need for submit final examinations of the practical matters that demanded the race would have given rise to major problems. Fortunately there was
asi.Con the best wishes of all the cast for another look at what has already been mounted to support their work with Lucia, the tests flowed in harmony, aware of the urgency that pushed us towards the desired release. To this is added the staging in the new Cultural Centre raised the Pyramid the challenge of giving continuity to the successes achieved in that FARO function, ie the use of stage space in a creative enough to give the viewer a certain intimacy in which there is no escape, to make it part of that story recounting the past twenty four hours in the life of two characters who are about to die in the electric chair because they did not commit a crime, fostering in them a sense of belonging to that time limit which seeks to prevent, without success, the execution of an unjust sentence.
As often happens in these cases, the resources to reach our goal were few, but the will of those involved was immense. Lucia Morett, as surely we all saw great learning to take responsibility for work in what was for her first theatrical production with projections beyond the classroom. Her attitude was always one of deep commitment and solidarity with a group that his group along a path of more than fifteen years until that time always looking for transcendence beyond the material resources that would surround his work.
We also learned a lot working with a new partner whose attitude, mostly quiet, unobtrusive but highly committed, showed us a new and refreshing way in relationships working within an independent theater company .
Sunday August 2, 2009
Lucia Morett and theater, a real relationship (seventh round)
The tests were started immediately. The possibility of initiating a very short time that was an incentive to cast so large that in which all alike were willing to risk (as known to all we do at the independent theater) to win very little money or work for a scarce public. Never, in the fifteen years prior work, we found much unity around a theme. It was obviously important for everyone to tell this tale of crime and injustice perpetrated by man against man himself. The relevance that had to say something through our work was a unifying factor that had hardly known in our daily drama. So Lucia Morett notes in a videotaped interview on the occasion of the documentary "CORPORATION, a window to freedom" which tells twenty-year history of clusters and Black Light Company, recognizing the importance had the contents of the book "agony" for its integration into the Black Light Theater Company.
The work had been assembled and presented in such a unique role in the East FARO so the work would focus on the character of Luisa Vanzetti, to be characterized by Lucia. The challenge here was to preserve the introductory scene videotaped by Armando Casas, so that the management had to put special emphasis on the careful assembly of the new character to play. Lucia's acting versatility Andrea was highlighted by quickly finding the characteristics that distinguish one character from another to represent them. As rehearsals for the premiere coincided with the beginning of a new semester, was able to find the correct timing for the re assembly of the work albeit not more difficult for our actress and that, if required to work on the end of the semester, surely the need for submit final examinations of the practical matters that demanded the race would have given rise to major problems. Fortunately there was
asi.Con the best wishes of all the cast for another look at what has already been mounted to support their work with Lucia, the tests flowed in harmony, aware of the urgency that pushed us towards the desired release. To this is added the staging in the new Cultural Centre raised the Pyramid the challenge of giving continuity to the successes achieved in that FARO function, ie the use of stage space in a creative enough to give the viewer a certain intimacy in which there is no escape, to make it part of that story recounting the past twenty four hours in the life of two characters who are about to die in the electric chair because they did not commit a crime, fostering in them a sense of belonging to that time limit which seeks to prevent, without success, the execution of an unjust sentence.
As often happens in these cases, the resources to reach our goal were few, but the will of those involved was immense. Lucia Morett, as surely we all saw great learning to take responsibility for work in what was for her first theatrical production with projections beyond the classroom. Her attitude was always one of deep commitment and solidarity with a group that his group along a path of more than fifteen years until that time always looking for transcendence beyond the material resources that would surround his work.
We also learned a lot working with a new partner whose attitude, mostly quiet, unobtrusive but highly committed, showed us a new and refreshing way in relationships working within an independent theater company .
Tuesday, July 6, 2010
Seran Wrap An Preparation H To Lose Inches Fast
Lucia Morett and theater, a real relationship (PART VI)
Friday July 31, 2009
Lucia Morett and theater, a real relationship (PART VI)
Once released the work, came immediate changes. Before the departure of persons who represented the character of Luisa Vanzetti, María Elena González, actress and close friend of the group since its inception in 1986, there was need to revise the composition of the cast to continue giving functions. That was when we all agreed to propose to Lucia Andrea Morett as the perfect candidate to take on the characterization of Luisa, sister of Bartholomew Vanzetti, complex character by the duality of values \u200b\u200bit represented, being a deeply religious woman, had taken a long pilgrimage materially from Italy, his country, to be near his brother in his last days, because his family was so poor that he could hardly bear the possibility to be present throughout the legal process, as he had taken seven long years. Through this trip was collecting huge outpouring of sympathy for the cause of his brother for all the countries that succeeded in crossing and in fact conclude the trip thanks to this solidarity, leading marches and protests of all kinds to get to America turned into a woman deeply conscious and politicized by the strength enough to demand the release of his brother.
There was also another difficulty. The fact that Lucia appeared in the introductory scene was shown in video, forced to make clear the difference that must exist to avoid falling into confusion about the identity of both characters.
Once again a full smile preceded the positive response that Lucia gave the request was formulated, conscious of the seriousness of our proposal, despite his apparent inexperience (courses only the second half of the race), accepting responsibility to bring their work to a very heterogeneous group in which mixed the longest experience with the fullest enthusiasm for learning, firmer path to the theatrical debut of more than one, the madness and moderation, wisdom and excess. Ultimately she was an actress whose inexperience was on training, because in reality Lucia Andrea Morett Álvarez had stepped on stage for the first time since he was seven years old. Thus, AGONY (The Ballad of Sacco and Vanzetti) takes up way so fortunate as to the salvation of our cast by Lucia, the meeting was added an appropriate setting for the staging of our work. The Cultural Centre The Pyramid, where they make our first and very brief season of eight performances.
Lucia Morett and theater, a real relationship (PART VI)
Once released the work, came immediate changes. Before the departure of persons who represented the character of Luisa Vanzetti, María Elena González, actress and close friend of the group since its inception in 1986, there was need to revise the composition of the cast to continue giving functions. That was when we all agreed to propose to Lucia Andrea Morett as the perfect candidate to take on the characterization of Luisa, sister of Bartholomew Vanzetti, complex character by the duality of values \u200b\u200bit represented, being a deeply religious woman, had taken a long pilgrimage materially from Italy, his country, to be near his brother in his last days, because his family was so poor that he could hardly bear the possibility to be present throughout the legal process, as he had taken seven long years. Through this trip was collecting huge outpouring of sympathy for the cause of his brother for all the countries that succeeded in crossing and in fact conclude the trip thanks to this solidarity, leading marches and protests of all kinds to get to America turned into a woman deeply conscious and politicized by the strength enough to demand the release of his brother.
There was also another difficulty. The fact that Lucia appeared in the introductory scene was shown in video, forced to make clear the difference that must exist to avoid falling into confusion about the identity of both characters.
Once again a full smile preceded the positive response that Lucia gave the request was formulated, conscious of the seriousness of our proposal, despite his apparent inexperience (courses only the second half of the race), accepting responsibility to bring their work to a very heterogeneous group in which mixed the longest experience with the fullest enthusiasm for learning, firmer path to the theatrical debut of more than one, the madness and moderation, wisdom and excess. Ultimately she was an actress whose inexperience was on training, because in reality Lucia Andrea Morett Álvarez had stepped on stage for the first time since he was seven years old. Thus, AGONY (The Ballad of Sacco and Vanzetti) takes up way so fortunate as to the salvation of our cast by Lucia, the meeting was added an appropriate setting for the staging of our work. The Cultural Centre The Pyramid, where they make our first and very brief season of eight performances.
Friday, July 2, 2010
Fishsticks Southpark Lyrics
Lucia Morett And theater, a real relationship (PART 5)
Tuesday July 28, 2009
Lucia Morett and theater, a real relationship (PART 5)
AGONY (The Ballad of Sacco and Vanzetti) was released during a conference held theater in Faro de Oriente, which by not having a theater room forced us to be creative enough to solve the staging. The building that houses the factory called Arts and Crafts East is architecturally similar to the huge vessel of a vessel within which, distributed on two levels along its surface, is a series of workshops and small rooms and offices crowned in one end by a reflecting pool and the so-called "Hall of Performing Arts" which in reality was only a space separated from the rest of the construction by a flimsy wooden wall with a floorboard and a set of folding chairs that served as seats. True to our search for alternative spaces that break with the traditional idea of \u200b\u200ba theater, we decided to avoid using the performing arts hall in exchange for using the entire building located in various parts of the whole scenario that the work required and which together represented a prison facility in their backyards, their workshops, their cells and their terminal flag, where they carried out the execution in the electric chair. Importantly, the fact that the electric chair would be represented by a chosen piece of the exhibition of iron metal chairs happened to be exposed in those days as a result of metal sculpture workshop taught by the teacher and artist Gabriel Macotela in FARO own facilities.
The work began with the projection through a television monitor, the video recorded by Armando Casas showing the aforementioned scene in which a law professor of criminology class taught using as a basis for the anarchists Sacco and Vanzetti who are about to be executed that night in the Massachusetts State Prison in the United States charged with a crime they did not commit at the end of his presentation, the teacher is strongly questioned by a student about the injustice that is about to happen. This student is represented by Lucia Andrea Morett and this is your first stage appearance at a professional level beyond college classrooms.
would also be the first function of a project that by its magnitude stage we already exceeded that, with the fortunate result of experimental use of space to the task we would, from then on, to find a stage as to make this a participatory show in which the public could integrate directly with what happened during the development of the work.
Interestingly, Lucia Andrea Morett did not attend the function of his debut.
Tuesday July 28, 2009
Lucia Morett and theater, a real relationship (PART 5)
AGONY (The Ballad of Sacco and Vanzetti) was released during a conference held theater in Faro de Oriente, which by not having a theater room forced us to be creative enough to solve the staging. The building that houses the factory called Arts and Crafts East is architecturally similar to the huge vessel of a vessel within which, distributed on two levels along its surface, is a series of workshops and small rooms and offices crowned in one end by a reflecting pool and the so-called "Hall of Performing Arts" which in reality was only a space separated from the rest of the construction by a flimsy wooden wall with a floorboard and a set of folding chairs that served as seats. True to our search for alternative spaces that break with the traditional idea of \u200b\u200ba theater, we decided to avoid using the performing arts hall in exchange for using the entire building located in various parts of the whole scenario that the work required and which together represented a prison facility in their backyards, their workshops, their cells and their terminal flag, where they carried out the execution in the electric chair. Importantly, the fact that the electric chair would be represented by a chosen piece of the exhibition of iron metal chairs happened to be exposed in those days as a result of metal sculpture workshop taught by the teacher and artist Gabriel Macotela in FARO own facilities.
The work began with the projection through a television monitor, the video recorded by Armando Casas showing the aforementioned scene in which a law professor of criminology class taught using as a basis for the anarchists Sacco and Vanzetti who are about to be executed that night in the Massachusetts State Prison in the United States charged with a crime they did not commit at the end of his presentation, the teacher is strongly questioned by a student about the injustice that is about to happen. This student is represented by Lucia Andrea Morett and this is your first stage appearance at a professional level beyond college classrooms.
would also be the first function of a project that by its magnitude stage we already exceeded that, with the fortunate result of experimental use of space to the task we would, from then on, to find a stage as to make this a participatory show in which the public could integrate directly with what happened during the development of the work.
Interestingly, Lucia Andrea Morett did not attend the function of his debut.
Thursday, July 1, 2010
Radiculopathy Recovery Time -cervical
Lucia Morett and theater, a real relationship (PART 4)
Thursday July 23, 2009
Lucia Morett and theater, a real relationship (PART 4)
The video recording was arduous, with due professionalism, widescreen repeated again and again the scene, either due to faulty technical details, either by errors in the performance or the need to have some decision-support for editing.
In fact, nobody within the group hoped the professional level treatment Armando was giving us and that emphasized the responsibility that we all felt towards our own work. The comings and technicians come in space, doing light testing and refining the details of sound while another actress of the group put the finishing touches to the makeup and costumes by Lucia Andrea are scenes that we can hardly forget the participants in that session. And Lucia, who until now had only been invited to record the video and who actually is not even envisioned as an integral part of the group gave us a good lesson in responsibility. Student just the second half of the race, like us she imagined a different session, perhaps more easily. However, to get to the small theater where they take out the recording, vision of that move an entire production team of TV UNAM was as surprised as us moments ago. Distant from the rest of the group, whom he hardly knew gave concentration while preparing for the characterization of his character. The apparent nervousness enveloped us all resulted in it through slight smiles and brief comments about what would be their parliaments. Attentive listening to the brief indications of stage manager and director of cameras in this case was Armando, began recording that lasted about two hours. At the end of the same Lucia, who had done their job with great professionalism took off his character, leave of those present and departed in silence outlining just a brief comment about the possibility of seeing the result of his work when the editing process would be terminated. Lucia Andrea Morett had scored him an early mark on the floor of the old and decadent theater group called Black Light.
Basically we all knew we really wanted it within the group and inside, above all, of our lives plays.
That would happen later, while she would continue attending school and growing into the Academy.
Lucia Morett and theater, a real relationship (PART 4)
The video recording was arduous, with due professionalism, widescreen repeated again and again the scene, either due to faulty technical details, either by errors in the performance or the need to have some decision-support for editing.
In fact, nobody within the group hoped the professional level treatment Armando was giving us and that emphasized the responsibility that we all felt towards our own work. The comings and technicians come in space, doing light testing and refining the details of sound while another actress of the group put the finishing touches to the makeup and costumes by Lucia Andrea are scenes that we can hardly forget the participants in that session. And Lucia, who until now had only been invited to record the video and who actually is not even envisioned as an integral part of the group gave us a good lesson in responsibility. Student just the second half of the race, like us she imagined a different session, perhaps more easily. However, to get to the small theater where they take out the recording, vision of that move an entire production team of TV UNAM was as surprised as us moments ago. Distant from the rest of the group, whom he hardly knew gave concentration while preparing for the characterization of his character. The apparent nervousness enveloped us all resulted in it through slight smiles and brief comments about what would be their parliaments. Attentive listening to the brief indications of stage manager and director of cameras in this case was Armando, began recording that lasted about two hours. At the end of the same Lucia, who had done their job with great professionalism took off his character, leave of those present and departed in silence outlining just a brief comment about the possibility of seeing the result of his work when the editing process would be terminated. Lucia Andrea Morett had scored him an early mark on the floor of the old and decadent theater group called Black Light.
Basically we all knew we really wanted it within the group and inside, above all, of our lives plays.
That would happen later, while she would continue attending school and growing into the Academy.
Wednesday, June 30, 2010
Los Angeles Gay Crusie Spots
Lucia Morett and theater, a real relationship (PART THREE)
Saturday July 18, 2009
Lucia Morett and theater A REAL RELATIONSHIP (PART THREE)
The Black Light Theatre Company is an independent group formed in 1986 within the BA in Dramatic Literature and Theater Arts Faculty of UNAM, this group started its activities with the name Group Theatre Company, officially participating in the program of the International Cervantes Festival the same year of its formation. When at the end of 2000 there is a need to form a cast for mounting the work AGONY (The Ballad of Sacco and Vanzetti) based on the novel by American writer Howard Fast, Lucia Morett is invited to join it in its capacity Student Career Theatre of the Faculty of Philosophy for recording a video introduction to the work. It tries to explain to the public the background to the story about the assembly. That is, the play chronicles the last twenty-four hours in the life of the characters to be executed in the electric chair the night of August 24, 1927. Through a conversation between a law professor and his student shall define the details of the story that led to these characters to that circumstance. Lucia is given to the student's character in that video. By participating in this effort Lucia says it because he knows that the practice beyond the classroom is important to endorse what they learned in and assuming, as it has in an interview that joins a group with some experience. It is also the first time the Black Light Theatre Company is the need to form a much larger cast than usual because the staging requires 18 actors. Joint is thereby one of the most diverse team with the participation of the same actors of great experience as Pedro Gamez, who with this show, coincidentally celebrates fifty years in acting, or Esteban Escárcega first actor with a great career in film , theater and television, besides being at that time one of the most important voices of Radio as an announcer University and host of several programs or people with no prior theatrical training who join this project motivated by the possibility of being participants in a new experience, all underpinned by the skills of some fellow undergraduate who came to participate in important groups such it was the "Neighborhood Theater" under the leadership of Roberto Javier Hernández "El Pelon" alumnus Julio Castillo had been given the task of adapting some of the works of William Shakespeare to the environment of the Mexican neighborhoods with great success.
Amid this landscape as diverse, Lucia Morett part of the video recording that despite being a character only appear in that environment and way of introduction to the work, it assumes a responsibility unusual in a second-semester student career thus making clear that his resolve was firm and forceful drama.
The video recording of that scene would be headed by former CUEC professor and director of various programs for Channel 11 and TV UNAM Armando Casas, a former classmate at the BA in Theatre from the School who kindly accepted the invitation to be participant in our project. To that end, Armando moved a TV production team UNAM to achieve professional results in that scene. The appointment was in the area called Multiple theater area itself Faculty of Arts one afternoon in July 2001. Participating in this session Javier Korea, the group's original actor in the role of law professor and Lucia Andrea Morett and the student. Lucia at the scene, taking his character, questioned his teacher about the injustice that was about to be committed in the person of Nicholas Sacco and Vanzetti Bartholomew, who would be executed that same night (August 24, 1927) in the electric chair for a crime he did not commit.
Lucia Morett and theater A REAL RELATIONSHIP (PART THREE)
The Black Light Theatre Company is an independent group formed in 1986 within the BA in Dramatic Literature and Theater Arts Faculty of UNAM, this group started its activities with the name Group Theatre Company, officially participating in the program of the International Cervantes Festival the same year of its formation. When at the end of 2000 there is a need to form a cast for mounting the work AGONY (The Ballad of Sacco and Vanzetti) based on the novel by American writer Howard Fast, Lucia Morett is invited to join it in its capacity Student Career Theatre of the Faculty of Philosophy for recording a video introduction to the work. It tries to explain to the public the background to the story about the assembly. That is, the play chronicles the last twenty-four hours in the life of the characters to be executed in the electric chair the night of August 24, 1927. Through a conversation between a law professor and his student shall define the details of the story that led to these characters to that circumstance. Lucia is given to the student's character in that video. By participating in this effort Lucia says it because he knows that the practice beyond the classroom is important to endorse what they learned in and assuming, as it has in an interview that joins a group with some experience. It is also the first time the Black Light Theatre Company is the need to form a much larger cast than usual because the staging requires 18 actors. Joint is thereby one of the most diverse team with the participation of the same actors of great experience as Pedro Gamez, who with this show, coincidentally celebrates fifty years in acting, or Esteban Escárcega first actor with a great career in film , theater and television, besides being at that time one of the most important voices of Radio as an announcer University and host of several programs or people with no prior theatrical training who join this project motivated by the possibility of being participants in a new experience, all underpinned by the skills of some fellow undergraduate who came to participate in important groups such it was the "Neighborhood Theater" under the leadership of Roberto Javier Hernández "El Pelon" alumnus Julio Castillo had been given the task of adapting some of the works of William Shakespeare to the environment of the Mexican neighborhoods with great success.
Amid this landscape as diverse, Lucia Morett part of the video recording that despite being a character only appear in that environment and way of introduction to the work, it assumes a responsibility unusual in a second-semester student career thus making clear that his resolve was firm and forceful drama.
The video recording of that scene would be headed by former CUEC professor and director of various programs for Channel 11 and TV UNAM Armando Casas, a former classmate at the BA in Theatre from the School who kindly accepted the invitation to be participant in our project. To that end, Armando moved a TV production team UNAM to achieve professional results in that scene. The appointment was in the area called Multiple theater area itself Faculty of Arts one afternoon in July 2001. Participating in this session Javier Korea, the group's original actor in the role of law professor and Lucia Andrea Morett and the student. Lucia at the scene, taking his character, questioned his teacher about the injustice that was about to be committed in the person of Nicholas Sacco and Vanzetti Bartholomew, who would be executed that same night (August 24, 1927) in the electric chair for a crime he did not commit.
Tuesday, June 29, 2010
Pilladas En La Calle Online Gratis
COAST CREOLE Aries: The Astroloco! Interviews
with you! Vladimir Aries: astroloco, a cosmos of pleasure! Guess how much they charge for your event and gift you get a deck of marked cards in your destination.
to get in immediate contact with Vladimir Aries write srplop.circourbano @ gmail.com or at 0800-astrolocoeventos special discounts for people from other dimensions: Displaying dear visitor of this blog you are exploring your cosmos, and still not find the media stars EYE littered the cosmos creator does not let you tape the galactic debris ( the rest of the visits are paid and no comet worth)
Finally: You want to know your past and your future? Call Vladimir Cuban Aries astrologer reads now clears the fernet. Do not deprive yourself of knowing the truth of your story Astral (Or in other theaters, gives the same.)
CALL NOW! WRITE NOW AND IN THE NEXT 48 HOURS YOU CAN MAKE A BUDGET FOR YOUR EVENT OR PARTY BUSINESS.
with you! Vladimir Aries: astroloco, a cosmos of pleasure! Guess how much they charge for your event and gift you get a deck of marked cards in your destination.
to get in immediate contact with Vladimir Aries write srplop.circourbano @ gmail.com or at 0800-astrolocoeventos special discounts for people from other dimensions: Displaying dear visitor of this blog you are exploring your cosmos, and still not find the media stars EYE littered the cosmos creator does not let you tape the galactic debris ( the rest of the visits are paid and no comet worth)
Finally: You want to know your past and your future? Call Vladimir Cuban Aries astrologer reads now clears the fernet. Do not deprive yourself of knowing the truth of your story Astral (Or in other theaters, gives the same.)
CALL NOW! WRITE NOW AND IN THE NEXT 48 HOURS YOU CAN MAKE A BUDGET FOR YOUR EVENT OR PARTY BUSINESS.
Aquarium Wedding Monterey
Lucia Morett and theater, a real relationship ( PART TWO)
Lucia Morett and theater, a real relationship (PART TWO)
"In the crowded geography American proliferate where the shameful military dictatorship and civilian rule and democracy are the exception, there is the continuing struggle of the working class and peasants, intellectuals, academics, church, resulting in progressive underground struggle, urban and rural or open guerrillas against these tyrannies. In those countries where the fight against police brutality is a daily activity of the progressive and democratic forces, the theater has become a powerful weapon. For their synthesis, can condense theatrical language situations, thoughts .... To clarify positions, teach ... "
These words, written by Domingo Piga, Chile, professor of Philosophy Chair of Theatre and Head of the Department of Theatre at the University of Chile in 1972, serve to make clear the need and relevance of the degree thesis and Lucia Andrea Morett why the search field supposed to be held and that was cut with the additional balance of the death of his four brothers thought and life. Lucia
But, beyond this thesis is the culmination of his academic work, is a professional theater that decided the path of his life from an early age. Maybe not that day that - even as a child - was fortunate to see on a stage mounting the play "Guadalupe, years without account" of the theatrical group "La Candelaria" in Colombia, but maybe at that time that with seven years had first chance to step on a stage set for recite a little poem entitled "A brief biography of a Vietnamese child" of the Cuban poet Jesus Cos Cause. It was then subjected to the magic of theater and even if that is a truism (perhaps many actors will tell the same story) is in the person of Lucia a special meaning because, throughout his life until the day appointment with her professional life she was growing not only in their desire to be someone in the theater, but in its social and political awareness to pull together the two issues in this crucial decision for your future.
Lucia Morett is an actress, not because they can call any person who decides to do theater, but because it was prepared for it. The BA in Dramatic Literature and Theater offered, the date on which Lucy decides to study this career (2000), three options for specialization. Direction, Dramaturgy and Acting. She chooses the latter because they want to have a voice is heard, it speaks loud and clear and know that from the stage can do battle for a better world. At least that's their vision, perhaps contrary to the desire so common between those who want to be actors or actresses to become famous and earn good money to go on television or make movies and be part of a magical world and surrounded by dozens of bright reflectors thousand watts each. Lucia ... Andrea, is certain he knows what he wants and where to find it. Inhabits the scenarios always with the intention of saying anything, he cares very much what is said, that the play in which participates take a message. Thus, studying only the second year of the degree she decides to join the so-called Black Light Theatre Company, a tribe quite bizarre and disparate entities formed by twenty of the most heterogeneous theater given the task of counting on the stage the story of Sacco and Vanzetti, two Italian immigrant anarchist ideology sentenced to death in the United States for a crime he did not commit in 1927. She represents the character of Luisa Vanzetti, sister of Bartholomew Vanzetti. His work is, despite being an actress in training is impeccable. The experience lasts more than three years (2001-2004). (Cont)
"In the crowded geography American proliferate where the shameful military dictatorship and civilian rule and democracy are the exception, there is the continuing struggle of the working class and peasants, intellectuals, academics, church, resulting in progressive underground struggle, urban and rural or open guerrillas against these tyrannies. In those countries where the fight against police brutality is a daily activity of the progressive and democratic forces, the theater has become a powerful weapon. For their synthesis, can condense theatrical language situations, thoughts .... To clarify positions, teach ... "
These words, written by Domingo Piga, Chile, professor of Philosophy Chair of Theatre and Head of the Department of Theatre at the University of Chile in 1972, serve to make clear the need and relevance of the degree thesis and Lucia Andrea Morett why the search field supposed to be held and that was cut with the additional balance of the death of his four brothers thought and life. Lucia
But, beyond this thesis is the culmination of his academic work, is a professional theater that decided the path of his life from an early age. Maybe not that day that - even as a child - was fortunate to see on a stage mounting the play "Guadalupe, years without account" of the theatrical group "La Candelaria" in Colombia, but maybe at that time that with seven years had first chance to step on a stage set for recite a little poem entitled "A brief biography of a Vietnamese child" of the Cuban poet Jesus Cos Cause. It was then subjected to the magic of theater and even if that is a truism (perhaps many actors will tell the same story) is in the person of Lucia a special meaning because, throughout his life until the day appointment with her professional life she was growing not only in their desire to be someone in the theater, but in its social and political awareness to pull together the two issues in this crucial decision for your future.
Lucia Morett is an actress, not because they can call any person who decides to do theater, but because it was prepared for it. The BA in Dramatic Literature and Theater offered, the date on which Lucy decides to study this career (2000), three options for specialization. Direction, Dramaturgy and Acting. She chooses the latter because they want to have a voice is heard, it speaks loud and clear and know that from the stage can do battle for a better world. At least that's their vision, perhaps contrary to the desire so common between those who want to be actors or actresses to become famous and earn good money to go on television or make movies and be part of a magical world and surrounded by dozens of bright reflectors thousand watts each. Lucia ... Andrea, is certain he knows what he wants and where to find it. Inhabits the scenarios always with the intention of saying anything, he cares very much what is said, that the play in which participates take a message. Thus, studying only the second year of the degree she decides to join the so-called Black Light Theatre Company, a tribe quite bizarre and disparate entities formed by twenty of the most heterogeneous theater given the task of counting on the stage the story of Sacco and Vanzetti, two Italian immigrant anarchist ideology sentenced to death in the United States for a crime he did not commit in 1927. She represents the character of Luisa Vanzetti, sister of Bartholomew Vanzetti. His work is, despite being an actress in training is impeccable. The experience lasts more than three years (2001-2004). (Cont)
Monday, June 28, 2010
What Is Decidual Bleeding?
Lucia Morett and theater. A REAL RELATIONSHIP (PART)
Tuesday July 14, 2009
Lucia Morett and theater. A REAL RELATIONSHIP (PART)
Much has been questioned about theatrical life Lucia Andrea Morett Álvarez, this woman who all think they know through what is said it in the media, the woman about which everyone speaks with a property such that seem to have lived with it every single day of your life.
Anyway, Lucia Morett has become the living symbol of the polarization that plunges the country into an absurd debate on what seems to divide the world in a reductionist and simple to both sides, left and right with their ultras . Polarization seems to be the "success" more visible step in a country's war "shut up chachalaca" and "win haiga been like haiga been" the land of endless war "against drugs" with their respective share "Some lives will be lost" (killed by full, decapitated, mutilated and tortured), the country of lawlessness where a social activist is sentenced to more than one hundred years in prison and in contrast to old drug dealers and bank robbers were reduced penalties only 25 or 30 years whom have served the greater part, where the authorities concerned have not been able to resolve a lengthy string of homicides against women that seems to be endless, which is not prosecuted perpetrators of fraud and white collar criminals or where the Supreme Court Justice of the Nation chooses to delay the response to demand justice for the parents of 48 children killed in the name of the irresponsibility of a government and its rotten and stinking bureaucracy on social security because now is the time to go on vacation.
Amid all this chaos society turns into a kind of civil war through the media to condemn or defend a woman whose personal reality is completely unknown and which is recognized only by what is now news.
be judged, he wishes the worst, requires tough-it assumes, is demonized, it is called terrorism, states that kidnapped, who put bombs, wielding guns and then sentence him the most embarrassing display of ignorance and arrogance that has been seen in a long time in this nation where, except for those little opportunities to rant about something and against someone physically FAIL NOTHING to change the harsh reality.
And not only been called into question the undeniable truth about the theatrical life of Lucia Morett but sometimes seeks to evade or deny the data, attributing the whole affair a political or legal issues, for the origin of this whole situation has of its edges in this research field that his proposed thesis required to acquire real value and a weight that transcends the mere collection of data held in a library.
have manipulated the actual data generated by all the circumstances arguing for example that belied UNAM Lucia deny having authorized, as an institution, an academic mission in Ecuador, is true. UNAM does not lie, neither does Lucia. The reality is: The UNAM has given its full support. Lucia
never claimed to be there for the institution and if self-employed said they seized the opportunity to meet circumstantial a guerrilla camp to investigate possible cultural events that could occur in that place and specifically those of a theater that, despite who would even exist and are real, thinking all the time in the benefit that this visit could bring to that argument that she was planning to do about the forms of theater emerged in Colombia in the last forty years. All
guerrilla movement has generated art forms more or less level poetry, music, theater, storytelling, art and other etceteras. Mexican theater groups from the late seventies have known the experience of traveling Central and South America in difficult circumstances giving functions or giving workshops, staying in safe houses of the guerrillas or have participated in exchanges of cultural amid infighting of these countries. The theater, beyond the academy, has a social function and not an art whose aim is nothing more than mere entertainment.
This thesis emphasizes both deny there is a work whose academic rigor in the area of \u200b\u200bresearch has value in itself, in It outlines the concern of a theater student to find the true meaning of this social function is imperative that the theater should be, it can access the grounds that a person has to study for a degree in Dramatic Literature and Theatre named after viewing the mounting of a play called "Guadalupe years without account" written and directed collectively by a group called "La Candelaria" originating in Colombia, it is those values \u200b\u200bthat question takes for granted the Academy to study an art whose origins are not been elucidated fully, finally, it discusses the need for professional document that has not been abridged by a field that allows access to knowledge of evidence not yet been said but, as the thesis Lucia - evidently there.
Lucia Morett and theater. A REAL RELATIONSHIP (PART)
Much has been questioned about theatrical life Lucia Andrea Morett Álvarez, this woman who all think they know through what is said it in the media, the woman about which everyone speaks with a property such that seem to have lived with it every single day of your life.
Anyway, Lucia Morett has become the living symbol of the polarization that plunges the country into an absurd debate on what seems to divide the world in a reductionist and simple to both sides, left and right with their ultras . Polarization seems to be the "success" more visible step in a country's war "shut up chachalaca" and "win haiga been like haiga been" the land of endless war "against drugs" with their respective share "Some lives will be lost" (killed by full, decapitated, mutilated and tortured), the country of lawlessness where a social activist is sentenced to more than one hundred years in prison and in contrast to old drug dealers and bank robbers were reduced penalties only 25 or 30 years whom have served the greater part, where the authorities concerned have not been able to resolve a lengthy string of homicides against women that seems to be endless, which is not prosecuted perpetrators of fraud and white collar criminals or where the Supreme Court Justice of the Nation chooses to delay the response to demand justice for the parents of 48 children killed in the name of the irresponsibility of a government and its rotten and stinking bureaucracy on social security because now is the time to go on vacation.
Amid all this chaos society turns into a kind of civil war through the media to condemn or defend a woman whose personal reality is completely unknown and which is recognized only by what is now news.
be judged, he wishes the worst, requires tough-it assumes, is demonized, it is called terrorism, states that kidnapped, who put bombs, wielding guns and then sentence him the most embarrassing display of ignorance and arrogance that has been seen in a long time in this nation where, except for those little opportunities to rant about something and against someone physically FAIL NOTHING to change the harsh reality.
And not only been called into question the undeniable truth about the theatrical life of Lucia Morett but sometimes seeks to evade or deny the data, attributing the whole affair a political or legal issues, for the origin of this whole situation has of its edges in this research field that his proposed thesis required to acquire real value and a weight that transcends the mere collection of data held in a library.
have manipulated the actual data generated by all the circumstances arguing for example that belied UNAM Lucia deny having authorized, as an institution, an academic mission in Ecuador, is true. UNAM does not lie, neither does Lucia. The reality is: The UNAM has given its full support. Lucia
never claimed to be there for the institution and if self-employed said they seized the opportunity to meet circumstantial a guerrilla camp to investigate possible cultural events that could occur in that place and specifically those of a theater that, despite who would even exist and are real, thinking all the time in the benefit that this visit could bring to that argument that she was planning to do about the forms of theater emerged in Colombia in the last forty years. All
guerrilla movement has generated art forms more or less level poetry, music, theater, storytelling, art and other etceteras. Mexican theater groups from the late seventies have known the experience of traveling Central and South America in difficult circumstances giving functions or giving workshops, staying in safe houses of the guerrillas or have participated in exchanges of cultural amid infighting of these countries. The theater, beyond the academy, has a social function and not an art whose aim is nothing more than mere entertainment.
This thesis emphasizes both deny there is a work whose academic rigor in the area of \u200b\u200bresearch has value in itself, in It outlines the concern of a theater student to find the true meaning of this social function is imperative that the theater should be, it can access the grounds that a person has to study for a degree in Dramatic Literature and Theatre named after viewing the mounting of a play called "Guadalupe years without account" written and directed collectively by a group called "La Candelaria" originating in Colombia, it is those values \u200b\u200bthat question takes for granted the Academy to study an art whose origins are not been elucidated fully, finally, it discusses the need for professional document that has not been abridged by a field that allows access to knowledge of evidence not yet been said but, as the thesis Lucia - evidently there.
Cost Of Rappelling Gear Kit In India
THEATRE AND LUCIA, a real relationship
THESE DAYS, THE BLACK LIGHT THEATRE COMPANY WORKING ON THE ASSEMBLY OF A NEW VERSION OF "AGONY (The ballad of Sacco and Vanzetti)" WORK IN WHICH GIVE LIFE Lucia Morett LUISA Vanzetti, Vanzetti BARTOLOME SISTER OF ONE OF THOSE INVOLVED IN THE STORY.
Blacklight THE IDEAL OF THIS NEW PROPOSAL WOULD BE OUR PARTNER PARTICIPATION ANDREA LUCIA REPRESENTING NEW ACCOUNT THAT CHARACTER CREATION IN WHICH SHE WORK WITH GREAT COMMITMENT.
KNOW BUT TO THE EFFECT THAT STILL MAINTAINS ORDER ISSUED AGAINST CATCH OF THE INTERPOL COLOMBIAN GOVERNMENT REQUEST, THAT NOT BE POSSIBLE. HOWEVER WE PROPOSE THAT BRING TO THE FINAL ASSEMBLY WITH THE CONVICTION THAT OUR BEST TO BE WITH HER AND MAKE HER BE WITH U.S. IS WORKING WITH THE ASSURANCE THAT AGAIN SOON TO DEPRESS THE SCENARIOS.
SO, to reiterate AGAIN AND AGAIN WHO IS REALLY Lucía Andrea Morett Alvarez, BA in Dramatic Literature and Theatre of the Faculty of Philosophy and Letters, UNAM, PLAY A SERIES OF ARTICLES THAT IN JULY 2009 PUBLISH IN THE BLOG GROUP (LUZNEGRATEATRO.BLOGSPOT.COM) AND TRY TO GIVE AN OUTLINE OF THE RELATIONSHIP THAT KEEPS YOUR CAREER LUCIA. We also intend MAINTAIN THE MEMORY OF HIS LIFE DRAMA FREE UNTIL WE HAVE NEW ACCOUNT AND AMONG U.S..
Saturday, June 19, 2010
Friday, June 18, 2010
How To Treat A 5 Month Old Cough
INVITATION IN MEMORIAM
"It's time to howl, because if we get carried away by the powers that govern us can say we deserve what we have"
(José Saramago)
Friday, June 11, 2010
How To Build A Large Podium
Zapatista Rebel Union
INVITES YOU TO THE PRESENTATION OF PAPER
Teatro Clandestino
Javier Bustillos in which recounts in a tone of play, the case of Ernestina Asensio, Indian soldiers killed by federal, Jacobo Silva and former political prisoner.
Sunday June 13 17:00
House Cultural Azcapotzalco Azcapotzalco Av
605, three blocks from the subway Shrimp. Free admission
Wednesday, June 2, 2010
Hair Salon Swot Analysis Definition
MARATHON IN JUNE, AMANDA CULTURAL CENTER, VITACURA ........ IF POS GAIO
Tickets gral Cueta $ 5000 and $ 4000 and 3rd age students
EVERY FRIDAY AND SATURDAY JUNE at 22:00
CENTRO CULTURAL AMBASSADOR DAUSSIGNAGUE AMANDA 1767 0027
LOCAL SHOPPING THE BRASS, VITACURA
We salute Alex Marisol Route Inflames for being our sponsors on shirts.
Your Local can be found in 48 local 932 Placer
Your Local can be found in 48 local 932 Placer
and Facebook can find a catalog exclusive
http://www.facebook.com/home.php? # / Profile.php? Id = 1849689653
Tuesday, June 1, 2010
Fleetwood Wilderness Owners Manual
SOCIAL ROLE OF THE THEATRE-4 Interview / Santiago Garcia / director of the Teatro La Candelaria. Prometheus
ONE OF THE KEY ISSUES IN THE THESIS Lucía Andrea Morett Alvarez IS CALLED "NEW THEATER COLOMBIA" IS DEDICATED TO AN ANALYSIS IS DEEP INSIDE THE THEATRE GROUP AND DIRECTOR CANDELARIA SANTIAGO GARCIA plays a key role. In this brief interview SANTIAGO GARCIA MAKES A REFLECTION ON THE VALUE OF ART AND MAINLY IN THE COMPANY THEATRE
Wednesday, May 19, 2010
Military Ball Hair Styles
THE SOCIAL ROLE OF THEATRE 3 - (I)
playwright and filmmaker, founder of Teatro Campesino, Luis Valdez was awarded the Gallo of the Havana during the days of May Theatre. American by birth, but Mexican roots, has been one of the greatest defenders of Chicano identity. The display of Zoot Suit, his first film, is part of the event organized by the Casa de las Americas. In the words of Jaime Gomez Triana, theater director of the institution, said it is remarkable the presence amongst us of this man that we must recognize his "substantial contribution to the scene 'nuestroamericana'."
http://www.lajiribilla.cu/2010/n471_05/471_19.html
http://www.lajiribilla.cu/2010/n471_05/471_19.html
Tuesday, May 18, 2010
Yahoo Toolbar Weather
From Brazil comes Mariana Muniz to make an improvisation workshop
Seize the opportunity and come to live this experience. More about Mariana
here:
http://marianalimamuniz.blogspot.com/
http://www.fimprobh.blogspot.com/
http://ladilaboratorio.blogspot.com/
https: / / wwws.cnpq.br / curriculoweb / pkg_menu.menu? f_cod = 371E8DCE075F2A2676821598A0BB7210 
Click on the picture
In an effort to promote the performing arts in Chile and especially the art of improvisational theater, Mamut has this crash course by Mariana Muniz, Actress, Improviser, Director of Theatre and Improv Festival and Professor Fimpro in the city of Belo Horizonte, Brazil.
Seize the opportunity and come to live this experience. More about Mariana
here:
http://marianalimamuniz.blogspot.com/
http://www.fimprobh.blogspot.com/
http://ladilaboratorio.blogspot.com/
https: / / wwws.cnpq.br / curriculoweb / pkg_menu.menu? f_cod = 371E8DCE075F2A2676821598A0BB7210
Sample Prayer For Debutant
Lucía Andrea Morett Alvarez, LICENSED IN DRAMATIC LITERATURE AND THEATER BY THE FACULTY OF PHILOSOPHY AND LITERATURE OF THE SOCIAL FUNCTION
His thesis "COLOMBIA, A REVOLUTION FOR THE THEATER AND THEATER FOR THE REVOLUTION "has been presented publicly in the classrooms of the faculty through a Roundtable with the presence of its Advisory Maestro Alberto Hijar, two of his Synod, Master Miguel Angel Esquivel and Graduate Carmen Galindo and President of the Jury and professor of Lucia in the Thesis Seminar, Maestro Manuel Gonzalez Casanova. He served as moderator Maestro Felipe Galvan. Why
highlight the names of those who were in charge of classifying the work of Lucia Morett? For one simple reason. For those familiar with the theater environment, academic and cultural life of Mexico, it is clear by the diversity of approaches and thinking represented by these names, that this thesis has been qualified in the field of plurality and openness that must characterize the University Nacional Autonoma de Mexico and has nothing to do with other circumstantial aspects of the life of Lucia, who still suffers the police chase of the Colombian government through the INTERPOL red card issued against him.
Thus, and while she lived forced exile in Nicaragua and in the short time he could live freely after his return to Mexico to face the unfair effects of a slaughter of which she was the surviving victim and four colleagues his life and thought were killed, while the media and society very uninformed and in some cases completely ill-informed, there were to set himself up in court, tried and convicted on two stroke, Lucia focused on work and was born out an idea in your mind just completed their school as an undergraduate student. A thesis put emphasis on formal and thorough investigation of a topic that for some strange reason the Academy theater in this country insists aside as a matter of study. The Collective Creation Theatre.
In principle and as often happens when you start the outline of a thesis, the issue presented a range of possibilities so great that it was necessary to define precisely what would be the starting point. To take the subject of thesis seminar with Master Manuel Gonzales Casanova basic idea began to take shape to understand the conditions of objectivity that any thesis requires. This is how the end of the course (around the school year 2004-2005) Lucia requested through a letter to his former seminary professor, the advice of its position. Although at that time was not possible to start developing it, it continues to advance the creation of a work which, over time, is taken way.
theater collective creation that had great repercussions throughout Latin America from the sixties to be cultural troupe of all revolutionary movements that are conceived and brought to life in the region has a multitude of faces such that even in America, where he also There is a political left active, the theater takes on an identity card.
course Mexico is no exception and during the seventies rise to various groups dedicated to cultivating this new poetic drama led by CLETA. With that picture in front
Lucia decides to seek the essence of the issue in the origins and the places where this way of doing theater has a special significance, and decide to close the circle in two specific countries. Cuba and Colombia with particular emphasis on the latter.
is not a matter of qualitative classifications, much less to downplay the groups that arise in other countries. Mexico inclusive.
is a deep search has its roots far beyond the simple writing of a thesis that superficially meet the bureaucratic requirements for certification. It is time to bring ideology, thought and commitment in a manner consistent work of necessity be the mirror of herself. As simple as a childhood memory whose impact is unforgettable. Having attended the representation of a work of collective creation entitled "Guadalupe years without account" of the theater group La Candelaria in Colombia and have experienced something so special that becomes final.
Perhaps this is the breaking point in which a particular title:
"Colombia, a revolution in theater and theater for the revolution"
This thesis has finally become a reality, with all its consequences, with all the pain that their development has involved, with all its really not looking show nothing but what is in itself. The conclusion of a cycle of student life and future prospects which require their way with the same rights as other workers of the theater. Absurd
exam is that Lucia had to be resolved by means that did not allow his public appearance. Unfair that their family and friends we were not present at her side to celebrate together something that should be as routine like to see her walk down any street in this city or see her perform on stage, which in the end was that the lifestyle she chose, but to the coward who still faces prosecution will always be preferable to their safety and the certainty that sooner or later we will be working together again. In Mesa Redonda
to publicly present their thesis work, his synod, his adviser and the chairman of the jury became aware of the rating given to Lucia Morett broadly coinciding with the academic importance and relevance of their research work.
result? APPROVED
HONORABLE MENTION 
His thesis "COLOMBIA, A REVOLUTION FOR THE THEATER AND THEATER FOR THE REVOLUTION "has been presented publicly in the classrooms of the faculty through a Roundtable with the presence of its Advisory Maestro Alberto Hijar, two of his Synod, Master Miguel Angel Esquivel and Graduate Carmen Galindo and President of the Jury and professor of Lucia in the Thesis Seminar, Maestro Manuel Gonzalez Casanova. He served as moderator Maestro Felipe Galvan. Why
highlight the names of those who were in charge of classifying the work of Lucia Morett? For one simple reason. For those familiar with the theater environment, academic and cultural life of Mexico, it is clear by the diversity of approaches and thinking represented by these names, that this thesis has been qualified in the field of plurality and openness that must characterize the University Nacional Autonoma de Mexico and has nothing to do with other circumstantial aspects of the life of Lucia, who still suffers the police chase of the Colombian government through the INTERPOL red card issued against him.
Thus, and while she lived forced exile in Nicaragua and in the short time he could live freely after his return to Mexico to face the unfair effects of a slaughter of which she was the surviving victim and four colleagues his life and thought were killed, while the media and society very uninformed and in some cases completely ill-informed, there were to set himself up in court, tried and convicted on two stroke, Lucia focused on work and was born out an idea in your mind just completed their school as an undergraduate student. A thesis put emphasis on formal and thorough investigation of a topic that for some strange reason the Academy theater in this country insists aside as a matter of study. The Collective Creation Theatre.
In principle and as often happens when you start the outline of a thesis, the issue presented a range of possibilities so great that it was necessary to define precisely what would be the starting point. To take the subject of thesis seminar with Master Manuel Gonzales Casanova basic idea began to take shape to understand the conditions of objectivity that any thesis requires. This is how the end of the course (around the school year 2004-2005) Lucia requested through a letter to his former seminary professor, the advice of its position. Although at that time was not possible to start developing it, it continues to advance the creation of a work which, over time, is taken way.
theater collective creation that had great repercussions throughout Latin America from the sixties to be cultural troupe of all revolutionary movements that are conceived and brought to life in the region has a multitude of faces such that even in America, where he also There is a political left active, the theater takes on an identity card.
course Mexico is no exception and during the seventies rise to various groups dedicated to cultivating this new poetic drama led by CLETA. With that picture in front
Lucia decides to seek the essence of the issue in the origins and the places where this way of doing theater has a special significance, and decide to close the circle in two specific countries. Cuba and Colombia with particular emphasis on the latter.
is not a matter of qualitative classifications, much less to downplay the groups that arise in other countries. Mexico inclusive.
is a deep search has its roots far beyond the simple writing of a thesis that superficially meet the bureaucratic requirements for certification. It is time to bring ideology, thought and commitment in a manner consistent work of necessity be the mirror of herself. As simple as a childhood memory whose impact is unforgettable. Having attended the representation of a work of collective creation entitled "Guadalupe years without account" of the theater group La Candelaria in Colombia and have experienced something so special that becomes final.
Perhaps this is the breaking point in which a particular title:
"Colombia, a revolution in theater and theater for the revolution"
This thesis has finally become a reality, with all its consequences, with all the pain that their development has involved, with all its really not looking show nothing but what is in itself. The conclusion of a cycle of student life and future prospects which require their way with the same rights as other workers of the theater. Absurd
exam is that Lucia had to be resolved by means that did not allow his public appearance. Unfair that their family and friends we were not present at her side to celebrate together something that should be as routine like to see her walk down any street in this city or see her perform on stage, which in the end was that the lifestyle she chose, but to the coward who still faces prosecution will always be preferable to their safety and the certainty that sooner or later we will be working together again. In Mesa Redonda
to publicly present their thesis work, his synod, his adviser and the chairman of the jury became aware of the rating given to Lucia Morett broadly coinciding with the academic importance and relevance of their research work.
result? APPROVED
HONORABLE MENTION
Subscribe to:
Posts (Atom)