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THE SOCIAL ROLE OF THEATRE 3 - (I)

playwright and filmmaker, founder of Teatro Campesino, Luis Valdez was awarded the Gallo of the Havana during the days of May Theatre. American by birth, but Mexican roots, has been one of the greatest defenders of Chicano identity. The display of Zoot Suit, his first film, is part of the event organized by the Casa de las Americas. In the words of Jaime Gomez Triana, theater director of the institution, said it is remarkable the presence amongst us of this man that we must recognize his "substantial contribution to the scene 'nuestroamericana'."

http://www.lajiribilla.cu/2010/n471_05/471_19.html

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From Brazil comes Mariana Muniz to make an improvisation workshop

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In an effort to promote the performing arts in Chile and especially the art of improvisational theater, Mamut has this crash course by Mariana Muniz, Actress, Improviser, Director of Theatre and Improv Festival and Professor Fimpro in the city of Belo Horizonte, Brazil.

Seize the opportunity and come to live this experience. More about Mariana

here:
http://marianalimamuniz.blogspot.com/
http://www.fimprobh.blogspot.com/
http://ladilaboratorio.blogspot.com/
https: / / wwws.cnpq.br / curriculoweb / pkg_menu.menu? f_cod = 371E8DCE075F2A2676821598A0BB7210

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Lucía Andrea Morett Alvarez, LICENSED IN DRAMATIC LITERATURE AND THEATER BY THE FACULTY OF PHILOSOPHY AND LITERATURE OF THE SOCIAL FUNCTION

His thesis "COLOMBIA, A REVOLUTION FOR THE THEATER AND THEATER FOR THE REVOLUTION "has been presented publicly in the classrooms of the faculty through a Roundtable with the presence of its Advisory Maestro Alberto Hijar, two of his Synod, Master Miguel Angel Esquivel and Graduate Carmen Galindo and President of the Jury and professor of Lucia in the Thesis Seminar, Maestro Manuel Gonzalez Casanova. He served as moderator Maestro Felipe Galvan. Why
highlight the names of those who were in charge of classifying the work of Lucia Morett? For one simple reason. For those familiar with the theater environment, academic and cultural life of Mexico, it is clear by the diversity of approaches and thinking represented by these names, that this thesis has been qualified in the field of plurality and openness that must characterize the University Nacional Autonoma de Mexico and has nothing to do with other circumstantial aspects of the life of Lucia, who still suffers the police chase of the Colombian government through the INTERPOL red card issued against him.
Thus, and while she lived forced exile in Nicaragua and in the short time he could live freely after his return to Mexico to face the unfair effects of a slaughter of which she was the surviving victim and four colleagues his life and thought were killed, while the media and society very uninformed and in some cases completely ill-informed, there were to set himself up in court, tried and convicted on two stroke, Lucia focused on work and was born out an idea in your mind just completed their school as an undergraduate student. A thesis put emphasis on formal and thorough investigation of a topic that for some strange reason the Academy theater in this country insists aside as a matter of study. The Collective Creation Theatre.
In principle and as often happens when you start the outline of a thesis, the issue presented a range of possibilities so great that it was necessary to define precisely what would be the starting point. To take the subject of thesis seminar with Master Manuel Gonzales Casanova basic idea began to take shape to understand the conditions of objectivity that any thesis requires. This is how the end of the course (around the school year 2004-2005) Lucia requested through a letter to his former seminary professor, the advice of its position. Although at that time was not possible to start developing it, it continues to advance the creation of a work which, over time, is taken way.
theater collective creation that had great repercussions throughout Latin America from the sixties to be cultural troupe of all revolutionary movements that are conceived and brought to life in the region has a multitude of faces such that even in America, where he also There is a political left active, the theater takes on an identity card.
course Mexico is no exception and during the seventies rise to various groups dedicated to cultivating this new poetic drama led by CLETA. With that picture in front
Lucia decides to seek the essence of the issue in the origins and the places where this way of doing theater has a special significance, and decide to close the circle in two specific countries. Cuba and Colombia with particular emphasis on the latter.
is not a matter of qualitative classifications, much less to downplay the groups that arise in other countries. Mexico inclusive.
is a deep search has its roots far beyond the simple writing of a thesis that superficially meet the bureaucratic requirements for certification. It is time to bring ideology, thought and commitment in a manner consistent work of necessity be the mirror of herself. As simple as a childhood memory whose impact is unforgettable. Having attended the representation of a work of collective creation entitled "Guadalupe years without account" of the theater group La Candelaria in Colombia and have experienced something so special that becomes final.



Perhaps this is the breaking point in which a particular title:



"Colombia, a revolution in theater and theater for the revolution"
This thesis has finally become a reality, with all its consequences, with all the pain that their development has involved, with all its really not looking show nothing but what is in itself. The conclusion of a cycle of student life and future prospects which require their way with the same rights as other workers of the theater. Absurd
exam is that Lucia had to be resolved by means that did not allow his public appearance. Unfair that their family and friends we were not present at her side to celebrate together something that should be as routine like to see her walk down any street in this city or see her perform on stage, which in the end was that the lifestyle she chose, but to the coward who still faces prosecution will always be preferable to their safety and the certainty that sooner or later we will be working together again. In Mesa Redonda
to publicly present their thesis work, his synod, his adviser and the chairman of the jury became aware of the rating given to Lucia Morett broadly coinciding with the academic importance and relevance of their research work.


result? APPROVED


HONORABLE MENTION

Red Itchy Bump On Tailbone

UNAM THEATRE 3 / Mummified Deer or the necessary synthesis of an episode of theatrical history in Mexico. Deer

José Manuel Galván, known in the independent theater environment as "El Topo", actor and director, original member of the group masks in the seventies distant and assembly takes an original work Director Luis Valdez's Teatro Campesino group based in San Juan Bautista California who coincidentally was in Mexico to direct the staging of his famous work Zoot Suit at the invitation of the National Theatre Company. This is an unpublished work in our country's own translation of the same director who gave the author the text for assembly. In fact, although the made it a long time then it is a work that serves to underline the intense years of exchange between groups masks, then headed by Mariano Leyva and the Teatro Campesino as already mentioned, directed by Luis Valdez. This exchange begins when Mascarones Group participates in the First Chicano Theatre Festival held in Fresno California in 1970 and is strengthened when the Teatro Campesino in correspondence, attends Fifth Chicano Theatre Festival held in Mexico in 1974. After this experience
José Manuel Galván lies for fifteen years in the United States promoting cultural projects aimed at youth.
In the words of director "Deer Mummified explore the ancestral roots of the Yaqui Indians of northern Mexico and southern United States. With significant elements of "La Danza del Venado" Luis Valdez weaves together stories and characters that transcend time and reality by giving us a range of characters made in the heat of battle both in the Mexican revolution and in modern times ... "
With imaginative staging that solves in a simple but powerful stage the complex proposed by the work, Mummified Deer is a clear example of the level that can reach a stage work that is committed to carefully bring it to life their characters through action of its protagonists. It is also a necessary job and clear today by the social burden of its history that emphasizes the search for the roots and the status of women in an area as complex as that of the Mexican state of necessity of work and life aspiration assume the sway of the border with all its consequences, including discrimination and the creation of a new cultural identity as Chicana.

can say about this show, given the history of the relationship between its author and director, which summarizes this work - forty years later - an important episode in the history of independent theater Mexico. DEER
mummified at the Teatro Morelos located in the north of Mexico City in an outstanding effort to bring the theatrical culture to other areas where access is not common expressions such
(The play is presented on Friday, Saturdays and Sundays from May at 20, 19 and 18 hours respectively. Avenida San Juan de Aragon 311, corner Eduardo Molina, Colonia San Pedro el Chico Martín Carrera Subway station. ADMISSION FREE.)
José Manuel Galván participated
Cultural Day at the Second Lucia Morett support at the conference entitled "Collective Creation Theatre theater required" held during the month of August 2009 with the Maestro Felipe Galván and Roberto Vazquez, director of the drama group Urban Utopia.

Jc Penny Ontario Canada

momificado.m4v

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SOCIAL ROLE OF THEATRE 3 / Jose Manuel Galvan

"Mummified DEER - DEER MOMMIFIED"


http://www.youtube.com/watch?v=V-iiXo -vrec


De Luis Valdez
Address Translation and José Manuel Galván


"A 84 year old Yaqui woman is hospitalized for treatment of a tumor in her womb.
It is to be a mummified fetus can not birth and refuses to die. "

PREMIER
May 3, 19:00 pm


SEASON 7 to May 30





Teatro IMSS Morelos San Juan de Aragon Ave # 311, corner Eduardo Molina,



Friday 20:00 hrs Saturday 19:00 hrs




Sundays 18:00 hrs


Reports 57 67 20 97


FREE ENTRY

I Want A Tight Panty Girdle

excellent new show, from May 7 to 22 : 00 hrs

THE SCENE SUPER

Come and enjoy SUPER SCENE, a new commitment of Mammoth Theater Collective. An improv show inspired by the 7th Art.
Three stories based on the film, three improvisers and the audience and jury who will decide which film will get the award for THE SUPER SCENE. Long
improvised, pure adrenaline, special guests, a super 3D experience.
are waiting every Friday and Saturday at 22 am in our house

Chucre ROOM Manzur Manzur Chucre Street S / N, Bellavista

Act: Nico, and Moyita Pankeke

Tickets price: $ 3000 general
$ 2000 3rd age students and reserve
Fono: 02 7380302
colectivomamut@gmail.com