Wednesday, June 30, 2010

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Lucia Morett and theater, a real relationship (PART THREE)

Saturday July 18, 2009
Lucia Morett and theater A REAL RELATIONSHIP (PART THREE)
The Black Light Theatre Company is an independent group formed in 1986 within the BA in Dramatic Literature and Theater Arts Faculty of UNAM, this group started its activities with the name Group Theatre Company, officially participating in the program of the International Cervantes Festival the same year of its formation. When at the end of 2000 there is a need to form a cast for mounting the work AGONY (The Ballad of Sacco and Vanzetti) based on the novel by American writer Howard Fast, Lucia Morett is invited to join it in its capacity Student Career Theatre of the Faculty of Philosophy for recording a video introduction to the work. It tries to explain to the public the background to the story about the assembly. That is, the play chronicles the last twenty-four hours in the life of the characters to be executed in the electric chair the night of August 24, 1927. Through a conversation between a law professor and his student shall define the details of the story that led to these characters to that circumstance. Lucia is given to the student's character in that video. By participating in this effort Lucia says it because he knows that the practice beyond the classroom is important to endorse what they learned in and assuming, as it has in an interview that joins a group with some experience. It is also the first time the Black Light Theatre Company is the need to form a much larger cast than usual because the staging requires 18 actors. Joint is thereby one of the most diverse team with the participation of the same actors of great experience as Pedro Gamez, who with this show, coincidentally celebrates fifty years in acting, or Esteban Escárcega first actor with a great career in film , theater and television, besides being at that time one of the most important voices of Radio as an announcer University and host of several programs or people with no prior theatrical training who join this project motivated by the possibility of being participants in a new experience, all underpinned by the skills of some fellow undergraduate who came to participate in important groups such it was the "Neighborhood Theater" under the leadership of Roberto Javier Hernández "El Pelon" alumnus Julio Castillo had been given the task of adapting some of the works of William Shakespeare to the environment of the Mexican neighborhoods with great success.
Amid this landscape as diverse, Lucia Morett part of the video recording that despite being a character only appear in that environment and way of introduction to the work, it assumes a responsibility unusual in a second-semester student career thus making clear that his resolve was firm and forceful drama.
The video recording of that scene would be headed by former CUEC professor and director of various programs for Channel 11 and TV UNAM Armando Casas, a former classmate at the BA in Theatre from the School who kindly accepted the invitation to be participant in our project. To that end, Armando moved a TV production team UNAM to achieve professional results in that scene. The appointment was in the area called Multiple theater area itself Faculty of Arts one afternoon in July 2001. Participating in this session Javier Korea, the group's original actor in the role of law professor and Lucia Andrea Morett and the student. Lucia at the scene, taking his character, questioned his teacher about the injustice that was about to be committed in the person of Nicholas Sacco and Vanzetti Bartholomew, who would be executed that same night (August 24, 1927) in the electric chair for a crime he did not commit.

Tuesday, June 29, 2010

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Lucia Morett and theater, a real relationship ( PART TWO)

Lucia Morett and theater, a real relationship (PART TWO)
"In the crowded geography American proliferate where the shameful military dictatorship and civilian rule and democracy are the exception, there is the continuing struggle of the working class and peasants, intellectuals, academics, church, resulting in progressive underground struggle, urban and rural or open guerrillas against these tyrannies. In those countries where the fight against police brutality is a daily activity of the progressive and democratic forces, the theater has become a powerful weapon. For their synthesis, can condense theatrical language situations, thoughts .... To clarify positions, teach ... "

These words, written by Domingo Piga, Chile, professor of Philosophy Chair of Theatre and Head of the Department of Theatre at the University of Chile in 1972, serve to make clear the need and relevance of the degree thesis and Lucia Andrea Morett why the search field supposed to be held and that was cut with the additional balance of the death of his four brothers thought and life. Lucia

But, beyond this thesis is the culmination of his academic work, is a professional theater that decided the path of his life from an early age. Maybe not that day that - even as a child - was fortunate to see on a stage mounting the play "Guadalupe, years without account" of the theatrical group "La Candelaria" in Colombia, but maybe at that time that with seven years had first chance to step on a stage set for recite a little poem entitled "A brief biography of a Vietnamese child" of the Cuban poet Jesus Cos Cause. It was then subjected to the magic of theater and even if that is a truism (perhaps many actors will tell the same story) is in the person of Lucia a special meaning because, throughout his life until the day appointment with her professional life she was growing not only in their desire to be someone in the theater, but in its social and political awareness to pull together the two issues in this crucial decision for your future.

Lucia Morett is an actress, not because they can call any person who decides to do theater, but because it was prepared for it. The BA in Dramatic Literature and Theater offered, the date on which Lucy decides to study this career (2000), three options for specialization. Direction, Dramaturgy and Acting. She chooses the latter because they want to have a voice is heard, it speaks loud and clear and know that from the stage can do battle for a better world. At least that's their vision, perhaps contrary to the desire so common between those who want to be actors or actresses to become famous and earn good money to go on television or make movies and be part of a magical world and surrounded by dozens of bright reflectors thousand watts each. Lucia ... Andrea, is certain he knows what he wants and where to find it. Inhabits the scenarios always with the intention of saying anything, he cares very much what is said, that the play in which participates take a message. Thus, studying only the second year of the degree she decides to join the so-called Black Light Theatre Company, a tribe quite bizarre and disparate entities formed by twenty of the most heterogeneous theater given the task of counting on the stage the story of Sacco and Vanzetti, two Italian immigrant anarchist ideology sentenced to death in the United States for a crime he did not commit in 1927. She represents the character of Luisa Vanzetti, sister of Bartholomew Vanzetti. His work is, despite being an actress in training is impeccable. The experience lasts more than three years (2001-2004). (Cont)

Monday, June 28, 2010

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Lucia Morett and theater. A REAL RELATIONSHIP (PART)

Tuesday July 14, 2009
Lucia Morett and theater. A REAL RELATIONSHIP (PART)
Much has been questioned about theatrical life Lucia Andrea Morett Álvarez, this woman who all think they know through what is said it in the media, the woman about which everyone speaks with a property such that seem to have lived with it every single day of your life.
Anyway, Lucia Morett has become the living symbol of the polarization that plunges the country into an absurd debate on what seems to divide the world in a reductionist and simple to both sides, left and right with their ultras . Polarization seems to be the "success" more visible step in a country's war "shut up chachalaca" and "win haiga been like haiga been" the land of endless war "against drugs" with their respective share "Some lives will be lost" (killed by full, decapitated, mutilated and tortured), the country of lawlessness where a social activist is sentenced to more than one hundred years in prison and in contrast to old drug dealers and bank robbers were reduced penalties only 25 or 30 years whom have served the greater part, where the authorities concerned have not been able to resolve a lengthy string of homicides against women that seems to be endless, which is not prosecuted perpetrators of fraud and white collar criminals or where the Supreme Court Justice of the Nation chooses to delay the response to demand justice for the parents of 48 children killed in the name of the irresponsibility of a government and its rotten and stinking bureaucracy on social security because now is the time to go on vacation.
Amid all this chaos society turns into a kind of civil war through the media to condemn or defend a woman whose personal reality is completely unknown and which is recognized only by what is now news.
be judged, he wishes the worst, requires tough-it assumes, is demonized, it is called terrorism, states that kidnapped, who put bombs, wielding guns and then sentence him the most embarrassing display of ignorance and arrogance that has been seen in a long time in this nation where, except for those little opportunities to rant about something and against someone physically FAIL NOTHING to change the harsh reality.
And not only been called into question the undeniable truth about the theatrical life of Lucia Morett but sometimes seeks to evade or deny the data, attributing the whole affair a political or legal issues, for the origin of this whole situation has of its edges in this research field that his proposed thesis required to acquire real value and a weight that transcends the mere collection of data held in a library.
have manipulated the actual data generated by all the circumstances arguing for example that belied UNAM Lucia deny having authorized, as an institution, an academic mission in Ecuador, is true. UNAM does not lie, neither does Lucia. The reality is: The UNAM has given its full support. Lucia

never claimed to be there for the institution and if self-employed said they seized the opportunity to meet circumstantial a guerrilla camp to investigate possible cultural events that could occur in that place and specifically those of a theater that, despite who would even exist and are real, thinking all the time in the benefit that this visit could bring to that argument that she was planning to do about the forms of theater emerged in Colombia in the last forty years. All
guerrilla movement has generated art forms more or less level poetry, music, theater, storytelling, art and other etceteras. Mexican theater groups from the late seventies have known the experience of traveling Central and South America in difficult circumstances giving functions or giving workshops, staying in safe houses of the guerrillas or have participated in exchanges of cultural amid infighting of these countries. The theater, beyond the academy, has a social function and not an art whose aim is nothing more than mere entertainment.
This thesis emphasizes both deny there is a work whose academic rigor in the area of \u200b\u200bresearch has value in itself, in It outlines the concern of a theater student to find the true meaning of this social function is imperative that the theater should be, it can access the grounds that a person has to study for a degree in Dramatic Literature and Theatre named after viewing the mounting of a play called "Guadalupe years without account" written and directed collectively by a group called "La Candelaria" originating in Colombia, it is those values \u200b\u200bthat question takes for granted the Academy to study an art whose origins are not been elucidated fully, finally, it discusses the need for professional document that has not been abridged by a field that allows access to knowledge of evidence not yet been said but, as the thesis Lucia - evidently there.

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THEATRE AND LUCIA, a real relationship

THESE DAYS, THE BLACK LIGHT THEATRE COMPANY WORKING ON THE ASSEMBLY OF A NEW VERSION OF "AGONY (The ballad of Sacco and Vanzetti)" WORK IN WHICH GIVE LIFE Lucia Morett LUISA Vanzetti, Vanzetti BARTOLOME SISTER OF ONE OF THOSE INVOLVED IN THE STORY.
Blacklight THE IDEAL OF THIS NEW PROPOSAL WOULD BE OUR PARTNER PARTICIPATION ANDREA LUCIA REPRESENTING NEW ACCOUNT THAT CHARACTER CREATION IN WHICH SHE WORK WITH GREAT COMMITMENT.
KNOW BUT TO THE EFFECT THAT STILL MAINTAINS ORDER ISSUED AGAINST CATCH OF THE INTERPOL COLOMBIAN GOVERNMENT REQUEST, THAT NOT BE POSSIBLE. HOWEVER WE PROPOSE THAT BRING TO THE FINAL ASSEMBLY WITH THE CONVICTION THAT OUR BEST TO BE WITH HER AND MAKE HER BE WITH U.S. IS WORKING WITH THE ASSURANCE THAT AGAIN SOON TO DEPRESS THE SCENARIOS.
SO, to reiterate AGAIN AND AGAIN WHO IS REALLY Lucía Andrea Morett Alvarez, BA in Dramatic Literature and Theatre of the Faculty of Philosophy and Letters, UNAM, PLAY A SERIES OF ARTICLES THAT IN JULY 2009 PUBLISH IN THE BLOG GROUP (LUZNEGRATEATRO.BLOGSPOT.COM) AND TRY TO GIVE AN OUTLINE OF THE RELATIONSHIP THAT KEEPS YOUR CAREER LUCIA. We also intend MAINTAIN THE MEMORY OF HIS LIFE DRAMA FREE UNTIL WE HAVE NEW ACCOUNT AND AMONG U.S..

Saturday, June 19, 2010

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Friday, June 18, 2010

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Friday, June 11, 2010

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Tuesday, June 1, 2010

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SOCIAL ROLE OF THE THEATRE-4 Interview / Santiago Garcia / director of the Teatro La Candelaria. Prometheus

ONE OF THE KEY ISSUES IN THE THESIS Lucía Andrea Morett Alvarez IS CALLED "NEW THEATER COLOMBIA" IS DEDICATED TO AN ANALYSIS IS DEEP INSIDE THE THEATRE GROUP AND DIRECTOR CANDELARIA SANTIAGO GARCIA plays a key role. In this brief interview SANTIAGO GARCIA MAKES A REFLECTION ON THE VALUE OF ART AND MAINLY IN THE COMPANY THEATRE