How Much For A 6' Cedar Fence

THIS FRIDAY AND SATURDAY COMES THE MARATHON

After a successful summer, the Mammoth Theater Collective (known to integrate part of the cast of "Improvisers" Track X) begins its work to shape your big project is to outline the theater as a place dedicated to improvisation.
For that starts in the 2011 Mammoth organizing a marathon shows with 4 safety pins!

* FRIDAY MARCH 25
- "Super Stage" Mamut Colectivo

A staging where there are three stories featuring Nico, and Pankeke Moyita. In this impromptu history, where each function is different from another, the public is the jury charged with deciding what movie to get the prize of the Super Stage.

- "Three, Two, One," the latest show Mamut Colectivo.

*
SATURDAY MARCH 26 - "Jam Session" where part of the improvisers Mammoth Theater Collective and the Collective Improvisation Hand.

- "Crash Stories" Collective Improvisation Hand. SCHEDULE

21:00 Hrs.
General Admission $ 3,500 .- Students and seniors $ 2,500 .-
PROMOTION: If you see a show, the second you can enjoy $ 1,000 .-
Information: 738 March 2002

I hope!

Diwali Message I Sindhi

Pre-release function of Beppo (March 18)

original poster Beppe Release

March 18 to 16 Hs and FREE ENTRY: We invite all hard of hearing community and the general public, of City of Buenos Aires to attend our final dress rehearsal open, prior to the opening day March 19 at 20 pm in Room Tuñon Cultural Center of Cooperation, located on Avenida Corrientes 1543 CABA.
Appear in advance as we only have room for 90 people.
are waiting.

Peace Sign Bathroom Stuff

MERCEDES SOSA

Bruised Feeling On Side Of Head

Razon de Vivir Lucia Andrea Morett Presence in the International Women's Day

MEXICO CITY MARCH 8, 2011 (INTERNATIONAL WOMEN'S DAY) Lucia Andrea Morett Álvarez

THIS: Sorry if
along these lines we prefer to call Andrea, how you met your fellow Black Light Theatre Company, but it felt more confidence and freedom that prevents us your first name, "Lucia - that to which you refer to everyone you know in that other aspect of your life that became public after of March 1, 2008. The survivor of the now infamous Slaughter of Sucumbios, Ecuador. Mira
ironic that while the world celebrates the Day call International Women, many women can be given by insiders for his life under conditions of inequality and poverty is not to celebrate. Many others in this moment are struggling to be free in their small or large areas of life and many more are dying in circumstances unimaginable at this point it is impossible to accept. And even more absurd is that you, women of the theater, being innocent of anything that says you have to stay hidden for your security, hoping that someday the truth may be imposed and fall under its own weight exonerándote completely absurd accusations that without any foundation that have served to keep away from the social struggle for a situation fairer for everyone, because there in your element, it is uncomfortable for many.
That truth always prevails over all things, now begins to come into the open and information flowing around you and your comrades massacred makes clear the cleanliness of their actions.
Before the recognition of your innocence by the United States Embassy in Mexico, being the spokesman of his government - along with Colombia's architect of that treacherous attack which survived, makes clear that not you who has Where are intended to note all these voices that were raised against you señalándote cowardly as a guerrilla, terrorist, and many other nonsense? Where in the media who ramble and try to reinvent the facts in writing books and presenting to the electronic media as dangerous to someone who had to stop to let you keep quiet and turn off your presence? Where those your accusers with flaming finger while lamian Colombian President boots proudly call themselves allies and servers? Are where they belong, the dustbin of history where you forgot again, waste of memory. Unfortunately
still weighs on you a warrant at the international and the complicit silence of the Mexican government has done nothing to justice to which anyone is entitled.
We tell them all the volume of our voice can not be anything against you.
That you're not alone and that the unique, irreducible truth that points to you as you really are (a BA in Dramatic Literature and Theater worried about the world we live in) eventually eventually crush them. And for that weapons are not necessary. Even a poem for them incomprehensible. Parliament will be enough for a character drama that unattainable for them through an irrepressible and revolutionary voice like yours. Dear Andrea
. No hidden away and we want to remind the so-called International Women's Day. We love you mate ... I want to live and this sharing with us every single day of your life. Fraternally yours,

Black Light Theatre Company.

Free Plans For Bbqs Islands

Improvisation Workshop Intensive introduction to Impro, improvisation and workshops Marathon Quarterly

EXTRA, EXTRA, EXTRA!!

After a successful summer, touring throughout the country and an improvement with Keith Johnstone, the father of global improvisation in Canada. Mammoth Theatre Collective, known for his actors make up the cast of the "Improvisers" Track X .

started their activities to shape their big project is to outline the theater, located in Chucre Manzur shed 7 at Bellavista, a place dedicated to improvisation.

On Saturday 19 and Sunday March 20 to engage in an intensive workshop for people with no experience in theater. With a value of $ 25,000 .- the weekend. Then, on Friday 25 and Saturday April 26 carried an Improv Marathon, where we can taste different formats improvisation. Chucre Manzur Sala, shed 7, Bellavista Hours 21:00 hrs. General Admission Student $ 3,500 .- $ 2,500 .- Senior Information: 738 March 2002 improtalleresmamut@gmail.com

and April

QUARTERLY WORKSHOPS

IMPROVISATION

Impro Workshop narrative and physical theater (initial level)

For people with or without experience

Using the methodology of Keith Johnstone Impro workshop focuses on narrative and stage work:

learn to let go of fear, learn to fail with style, spontaneity, attuned to the proposed our colleagues and play cooperatively. Forget the plans and live in the moment, use the last of improvisation, to create your future (reinstate) Hierarchies (Status), leave the conversation and exchange it for dramatic action (Slopes - tilts).

also learn the value of real acting and creating characters.

Contents:

Group Dynamics: To achieve greater confidence, playful attitude and spark creativity.

Contact Impro , improvisations where the text is secondary.

Kinetics Dance: observation of human behavior.

Games and formats

Improvisation and Management : Impro Many formats are based on the address, but few feel comfortable doing improvisation (Advanced only)

action or mime Mime Speaker (Physical Theatre) : mime technique used to tell stories, in this context are:

space design : The improviser can use your body to draw in space and environmental enrichment imagination created in improvised pieces.

Sound Design: sounds produced by the voice or body of improvisers can create events, environments and enriching details to the story.

Character Design : Draw the essential details of the characters turns the living cartoon actors.

Subject-Object : Using the body as scenery and special effects

Bridges (audio, visual, action and gesture): Ways to change scene in a movie (change of planes, miniatures, etc)

Impro Narrative Workshop Level 2 (Advanced Level)

; ;

For professional actors, and improvisational theater students

In this workshop students learn to connect the elements: Character, Narrative and Transformation. These 3 elements play with each other to create the narrative structure.

In an impromptu 30 minutes or more improvised drama is essential as the viewer not only laughter but also expects a proposal narrative.

This workshop continues the work of Impro narrative about a long format.

Specific contents are:

Introduction to Harold: the basic game and school rules, then break the harold.

Group Mind : teaches improvisers to think like playwrights.

Connection and disconnection: and disconnect to open a new branch of history, and how to connect separate histories. In this context we will play:

Deconstruction: an introductory research format Harold, where students connect loose ends.

Round or tap out a game that creates automatic records, focusing on the relationship of the characters

Cat's Cradle and close quarters : Through these games improvisation advanced students learn to create (no repeat) dramatic structures complex.

Ad ovo, in medias res and in extremis: Narrative Modes

For all workshops please email us @ gmail improtalleresmamut . com and from there to answer all your questions.

can also do phone 02-7380302

or contact Chucre Manzur # 7, Bellavista .

JANUARY IN PICTURES

Improviscopio were with neither head nor tail and Super Scene at the Teatro Velarde in Quilpue. What you see is part of row 2 hours before the show

Super Scene present our show at the Festival Theatre in Providence.

took this picture from the stage.

We in Canada are taking an intensive course with one of the greatest heroes of improvisation and who has inspired much of the work of Mamut Colectivo. The experience we share with Improcrash, Project Impro Pataclaun Patricia, Omar and Javier Galvan Improtour Pastor of Spain.

Hands Free Mastorbator

TO THREE YEARS OF SLAUGHTER Sucumbíos our solidarity

third anniversary the slaughter perpetrated by the Colombian government against members of a FARC camp in Ecuadorian territory and their visitors at that time, five Mexican students which killed four and lived to suffer the unfortunate consequences of an absurd persecution, Lucia Andrea Morett Álvarez, today, despite their circumstances v detractors, BA in Dramatic Literature and Theatre of the Faculty of Philosophy and Letters, UNAM.

Recently released information is filtered through the Web site WikiLeaks whereby a cable from the U.S. Embassy in Mexico recognizes that the Mexican students were not guerrillas and that in fact were in Ecuador to attend a Bolivarian Congress, a fact which was derived his visit to the camp of the FARC, also ruling out the existence owned a computer of Raul Reyes, leader of the guerrilla organization died in this slaughter, whose content "confirmed and argued that "all those Colombian government about what happened that first of March 2008.

Much has been questioned about the legality of such leaks published by the website that has provided this information but nothing has been said to deny the veracity of it.

The question then Where is the credibility of the government of Alvaro Uribe, Colombia's former president and his successor and successor to Juan Manuel Santos said evidence? Is it not enough that information to demand the names of the four students killed in the Colombian military action and Thus end the unwarranted persecution that exists on the date Lucia Morett and remove no more that an arrest warrant from Interpol argues against following a specific request made by the government of Colombia ?

response, the "government of Mexico has kept a silent accomplice to your participation in this absurd injustice, but also even when our country is still a criminal case against our colleague Lucia Morett derived from a complaint raised against him by Jose Antonio Ortega, representative from the Better Government Better Society and Citizen Security Council Public.

go from here our solidarity with the parents and relatives of the four students killed by the Colombian government in Ecuadorian territory on March 1, 2008 and Lucia Andrea and her family all the strength of our voice demand an end to persecution and harassment suffered since he was fortunate to survive to continue with his life.

False accusations and unjustified parsecucion which is the subject Lucia Andrea Morett Alvarez try to annul the value of a life that, despite adverse circumstances has shown the strength to carry on its purposes and thus demonstrating that the Theatre, like all art if you have a social role to play.

With the certainty that Andrea will soon step on stage performer.

BLACK LIGHT THEATRE COMPANY

Garretts Popcorn Cheese Recipe

La Jornada on the Internet are required to Colombia and Ecuador to preempt cases against Morett

La Jornada on the Internet are required to Colombia and Ecuador to preempt cases against Morett

Put Benzocaine In Condom

The Day: EU confirmed that Mexicans Sucumbíos Colombia were killed in the guerrilla

Day: EU confirmed that Mexicans Sucumbíos Colombia were killed in the guerrilla

New Alpha Centauri Game

Beppo Premiere Cultural Center of Cooperation. Buenos Aires March 19, 2011

A poetic experience proposed language integration
Cristina Moreira presents this piece that gives voice to those who do not. Sign language poetry and art of mime are combined in this proposal through which the silence and gesture, symbol and word. A representation of the Orpheus myth and metaphor of the mystery of what lies beyond. Integrate the distribution Jessica Schultz, Joachim Baldino, Marcelo Farías and Fabiana Pelle.

premiere public: Saturday 19 March, at 20.00 pm
premiere release:
Functions: Saturdays and Sundays at 20.00 pm.
Theatre: Centre Cultural Cooperation
Room: Tuñón (1st floor)
Reports: 5077-8000/8077

Argentina

Beppo:
premiere March 19 and 20:00 Hs Center Cultural Cooperation
Buenos Aires.

Synopsis Beppo and Stella, live the world of the incredible, she has a voice and he did not, but there is communication between and engages dialogue naturally. The story of these characters that are joined by a viewer and a presenter at sign language tell a free version of the myth of Orpheus.
The conflict of these characters goes through wanting a better world.

ON SETTING THE SCENE:
The staging of Beppe recreates the illusion of his characters, restricted to their own fate of being what they are, "ephemeral creatures."
A blue sky reminiscent of Magritte's paintings, hung as a backdrop to the stage, and a carpet of grass that you saw the floor limit and locked in the empty space Beppo and Stella, who suffer from the dilemma of wanting to "the other side "and not power. She fear of the unknown and why one sees the reality in which they live. Bypasses
A gulf, whence come voices, sounds and characters, usurping their privacy. The theater becomes a game of mirrors between inside and outside the scene, between the point of reality and fiction. Only a backdrop of sky that runs to lead to the starry night and the wall around which they revolve, are the backdrop for Beppo and Stella in their assigned destination. The music at times
environment and other actors, brings back memories of a beautiful song, a bosa nova from Stella sings before, combining deep and sweet spirit, a morning of carnival.
The staging proposed BEEP different languages, basing the decision on the social thought of J. Derrida, combining silence and speech, gesture and reason, the command and address, the scene and the public for a mysterious poetic representation and integration research.
The work begins with the sign language presentation thereby reversing the rise of power of the dominant language and the experience is recreated several times during the performance.

CRISTINA MOREIRA

Characters:
Stella: the eternal feminine, contradictory, applicant, vulnerable and passionate
Beppo: inspired zannis in the commedia dell'arte, wearing the mask of Pierrot
Spectator: histrionic personality inspired by the man who can not act, and gently guides the viewer
scene as presenter of the work: from the sign language, advances in construction of character monologues commenting and translating.

ARTISTIC TECHNICAL DATA
Cast: Jerome Schultz (Stella), Joaquín Baldino (Beppo), Marcelo Farías (Spectator), Fabiana Pelle (presenter)
advice and training in mime: Escobar and Lerchundi
Management and Staging: Cristina Moreira
Assistant Director: Trinidad Asensio
set and costume design: Jorge Ferrari
Realization of scenery: Julia Ten
costume making: Claudia Peluso
Music: Vila
Diego Graphic Design: Design EME
Executive Producer: Two Gold
Release: Simkin & Franco

Cristina Moreira

Teaching a distinguished record in theater, is who started the movement of new generations of comedians with an academic background from clown techniques, introducing the methodology of the French School J. Lecoq. He began his career as a dancer and actress in Europe in 1977 and since then, without interruption, is dedicated to researching, developing and teaching theater, has participated in workshops and specialized conferences with various papers and has conducted its theoretical contributions in publications pertaining to the collection of volumes of TEAP group Theatre Studies: "The grace of the clown," "The voice of the clown," "Cocktail of letters "," The role of women in comedy dell 'arte "and" What are you doing in Paris? "collection INT riding school notebooks. Public
The many faces of actor Editorial InTeatro The National Theatre Institute in Theatre Studies from its collection, which gives an account of his experience as a teacher at the same time, allows us to make fundamental aspects of clowning techniques, the jester, the variety show, melodrama, tragedy and comedy dell'arte.
She teaches Social Sciences in Education (FLACSO 2005-2007), professor of the departments of Clown and Circus Techniques, Director of specialization in Commedia dell'Arte in the departments of Arts in Dramatic Arts Movement and the National Institute of Art.
In his international career as performer of the group include Oper-Collage "L'Histerye", "Von Nietzsche Musique", "La femme 100 Tete", "Siegfried uber all", "Prometheus", John Cage, Eric Satie Gymnopediste , Kurt Weill, among others.
Among his own works, theatrical productions, translations and adaptations include an "imperialist clown," "Aria da capo", "The great horned", "White, red and black," "The estraviata" "Mme Claire," "Bolero," "The actor's nightmare", "Graffiti," "Prelude to a blind love," "Tales of pocket", "Beppo" and "My Love is a bit of pure water."

J ESSICA S CHULTZ

was trained as an actress with Raul Serrano, Miguel Guerberoff, Joy Morris, Carlos Gandolfo , Indio Romero and Julio Ordan. Lecoq method conducted seminars with Cristina Moreira and studied drama Mauricio Kartun.
also participated in several courses with teachers like Carlos Canto Savignano, Norberto Mazza, Ines Cabrera, Catty Vickeyra, Eduardo Cogorno, Andrew Ascenio, Flora Yungerman, Gustavo Valerio and Helga Epstein.
formed in jazz dance and Ricky Solange Pashkus Fabris, in tango with Damian and Nancy, Gabriel and Natalia, Raul Bravo, Graciela Gonzalez and Mingo Pugliese, a classic with Marijo Alvarez and Guadalupe Ceja and contemporary Pazzaglini Laura Marini and Carina . Professionally
participated in a lot of plays, among which include "Money", "Lovely Revolution," "The Cherry Orchard" "The First Wives Show" presented in Mar del Plata and Madrid "Sable"
"Love Letters to Stalin", "Acute Argentinitis," "Tango Argentina", "Sevigne, A last season," "The Lion France "," The flood to come "presented at Viña del Mar, Chile and" Red, White and Black. "
In film was part of several productions, "El Cajon", "Amor Perdido", "Good Destination", "An Argentine in New York", "Tell Laura I love her," Where are the love of my life ... "" Catch the Heat / No Escape "and" Held in A minor "among others.
had many interests in television, among which are: "Pink, Purple and Celeste" Channel 7's "Romeo and Juliet" Channel 9, "a short" Canal7, "Montecristo" Telefe, "Los Machos", "Sex Stories .. "Telefe," The Soder of my life "Channel 13," Triplets "Telefe," Rich and Famous "Channel 9" Poliladron "Channel 13" The Benvenuto "Telefe, 'Where are the love of my life' Channel 13 , "Lights and Shadows" ATC "Tato Diet Channel 13," Men Law "ATC" The Infidel "Channel 9" Mesa de Noticias "ATC" High Comedy Channel 9.

Joaquin Baldin

was formed with Fernando Cayo: Commedia dell'Arte, Roberto Garcia Torres: Air Techniques. Escape From Circus Hnos Videla: Escuela de Circo Criollo, Ángel Alberto Elizondo and Irven, Theatre of Mime and body techniques, Horacio Marassi: Mimo Techniques, Alberto Aguero: Mime Theatre and Tap-Dance.
made his professional debut as Mime Theatre in 1985. Work in 2000 and 2001 at Europa Park (Germany.) Acted in Spain, France, Germany and Switzerland with leading companies Circus and Theatre of Spain. (Industrial Teatrera. Ale Hop. Cia Without End among others.) Within their theatrical experiences include: "The Meteretes." As an actor and director, What's behind that door? Nominated for Best Performance Work Child Starfish Awards 2010 "The King Dies. In E. Ionesco. Dir. M. Molina. Nominated for Best Play Theatre Off. Premios Estrella de Mar 2010," Chasing Mr Plop. "Tantanakuy Festival Province of Jujuy Humahuaca. Argentina, leads Urban Circus Varieté Shed Theatre for the Arts. Mar del Plata, "Three Blind Mice" Dir Héctor Malamud. Centro Cultural Cooperation. "Circopolis." Nassica Leisure Centre. (Group Kaptan) Madrid, "Silence in the Night" (Action) Dir Gabriel Tortarolo (TXI), "Briefing for a butterfly collector Management. J. Baldino (TXI)," Carmen "Technical Assistance. Dir. Luis J. . Moreno (Madrid.), Theater for Identity. Madrid 2005. Executive Coordinator, "Antología de la zarzuela" Technical Assistance. Dir. J. Luis. Moreno (Madrid.)
performed in several feature films and shorts, some of them are "Eternity." J. Castalejo in Madrid. (France-Spain) "The Lázaro de Tormes". Dir. Fernando Fernan Gomez. Toledo. Spain. "Enlightened Heart." Hector Babenco Dir. Mar del Plata, short film "Salvation" Blastein Isidore. Dir Daniel Torres. G. Panarisi. (Spain), "Miss Amnesia" De Mario Benedetti. Dir Daniel Ramirez among others.
had many interests in advertising in Argentina and Spain. On television creates the Coop. Art and Dissemination Cadaver (Z) with their Brothers Andres and Jose Luis. Leads and co-directed "Art MoP page." Channel 2 Mar del Plata, "Stories on the side of the moon" script and set, "Studio Ve" Argentina, "Rekorta2" Tele k. Madrid, "Night Eye" Tele k among others. Coordinates
since 1988 as a teacher several courses and workshops, Seminar & Clown Mime Theatre. Comedy Theatre techniques. School Circo Criollo. Buenos Aires, in the Alliance Franesa and Diagonal and Warehouse Theatre des Arts de Mar del Plata and others. He received awards and commendations
"The Meteretes." Nominated for Best Children's Show Star Award Mar 2010 (Baldin Joaquin Dir.) "Circus Charivari Plop" Two Nominations Starfish, 1998: "Laberintus Circus" Four Starfish Award nominations and five awards and an Honorable Mention in the 1 º Festival Theatre Nat Mar del Plata and 10 º Encuentro de Teatro Marplatense, Honorable Mention Faro Gold Award for his contribution to the development of circus activities to create the first School of Urban Circus Argentina, among others.

Marcelo Farias

Trained as actor Daniel start acting and technical Casablanca Le Coq, clown, buffoon, poetry. Raquel Sokolowicz neutral mask, conducted a seminar on improvisation with Oski Guzmán, Variety and Comedy Theatre Rosatti Leandro, Monologues and Stand Up Comedy Workshop and comic creation with Emilio Tamer, theatrical improvisation workshop and Charly Arzulian Eleonora Valdez, Acting training with Roberto Saiz and Juliana Muras, humor with Mariana Brisky, with Pablo de Nito Clown, Clown Intensive Workshop with Gabriel Cham Buendia. Cristina Moreira formed in various theatrical disciplines: Neutral Mask, Comedia dell Arte, Clown and Buffoon. He also made vocal techniques workshop with Juliana Nora Faiman and Muras. Workshop
Castilian Maisabé neutral and dubbing in the Arg Assoc Of Actors,
Professionally written several publications in Argentina and abroad, shares in Married With Children, Bewitched and Showmatch. Dynamo
On stage Hamlet in the Theatre of Abasto, Teatro El Farabute acting company for 2 years. "Thanks Mauricio" Fool Theatre IFT Show, "What Kind of Clown ..." DC Adan Cervantes Buenosayres and Theatre in the Festival Nac Circus and Clowns, stand-up comedy and Stand Up as a guest with groups and Monoloco Humor signals in the Paseo La Plaza, "The monsters do not exist ... the parents if Theatre Gargantua.

Fabiana Pelle

Formed in action with such masters as Carlos Gandolfo, Hernán Gené (clown), Julio Ordan, and Escobar Alejandra Boero and Lerchundi. Conducted workshops with Marcelo
Katz, Oski Guzman, Joy Morris and Eugenio Barba (among others).
know sign language and teaches Argentine disturbed deaf and speech.
Artistic Experience (selection):
Performance in "The capricious desencaprichada" (theaters, schools and festivals within the country)
Performance in "The three scientists" (play touring schools with "Puro Party", for AFIP).
Acting in the play "Galileo, the messenger of the stars," Monica Arreche, Leo Rizzo and Cecilia Martin (Teatro IFT and CCGSM). Participation
acting in children's theater festival Necochea with the play "The braggart soldier, a love story, adapted from a play by Plautus.
performance in several clown shows (group and sole proprietorships) in cultural centers.
Performance in short films made by students of SICA and the FUC. Directs and coordinates
casts Theatre workshops, speech and drama games for people with hearing disabilities, including hearing.

Simkin & FRANCO

Press and Communication Strategies

Tel: 48640259 to 1540289525 / prensa@simkin-franco.com.ar

www.simkin-franco.com.ar

Platelets When You Are Sick

La Jornada: EU confirmed that Mexicans Sucumbíos Colombia were killed in the guerrilla

La Jornada: EU confirmed that Mexicans Sucumbíos Colombia were killed in the guerrilla

How To Make A Braided Leather Disneyland Bracelet

stage machinery (DARIO FOR)

stage machinery
In a 1990 interview Dario Fo reflected on that time, and the question " Do I need to play politics with the theater? ", he answered:" Of course. I think all the great theater, which has reached us, has always been a political and social discourse, aiming to stimulate interest, participation, solidarity ... or indignation. In short, took position, often standing as an accusation against certain models or attitudes society, from the Greek theater to theater closest to us, including Shakespeare and Moliere. "
(Prologue to" The Accidental Death of an Anarchist ")

My Tummy And Throat Is Burning

IN JANUARY TO BECOME OUR SHOWS IN NOVEMBER WE

C sick e started the year with energy and eager to continue to captivate new audiences. That's why in January we will be in different scenarios to present our work focused on theatrical improvisation, then after a further trip to the city of Calgary in Canada.

Here are some dates

THEATRE VELARDE, Quilpue

Super Scene 21:00 Friday 7

"4 actors, 1 musician improvising with the challenge of unique stories and unique, where the public have"

THEATRE VELARDE, Quilpue

Saturday 8 Improviscopio without rhyme or 21:00

THEATRE FESTIVAL PROVIDENCE

Parque Bustamante

Tuesday, 11 and 12 21:00 Mieroles
Super Scene 21:00

$ 3,500 and $ 2,500

THEATRE FESTIVAL A LUKA

Thursday 13 Super Scene

Friday 14 Super Scene

Chucre Manzur Sala (Mammoth Theatre)

Chucre Manzur S / N Bellavista

Here leave a review of Super scene that appeared in a magazine a few months ago

The tea-known collective Mamut because their players make up part of the show's cast "Improvisers" X-Track bring Amanda Cultural Center show "Super Stage", a staging where there are three stories and three filmmakers, featuring Nico , and Pankeke Moyita . In this impromptu history, where each function is different from another, the public is the jury charged with deciding what movie to get the prize of the Super Stage.

The plot weaves step by step, where the audience plays a role. With much imagination these actors created when an improvised plot, hilarious and poetic to give effect to history.

Come and enjoy this inspiring improvisation show in the cinema, where actors and the public feel pure adrenaline and live 3D experience to die of laughter .


I made a IMPROVISATION WORKSHOP INTENSIVE

Improvisation Intensive Workshop, taught by the "Mammoth Theater Collective." Masters: Sergio Dominguez, Monica Moya and Nicolas Belmar. Dias, 10,11,12 from 10:30 to 14:00 hrs Venue Chucre Manzur Value $ 30,000 pesos Summer Workshop Single people with no experience in improvisation or registration salachucremanzur@gmail.com