His thesis "COLOMBIA, A REVOLUTION FOR THE THEATER AND THEATER FOR THE REVOLUTION "has been presented publicly in the classrooms of the faculty through a Roundtable with the presence of its Advisory Maestro Alberto Hijar, two of his Synod, Master Miguel Angel Esquivel and Graduate Carmen Galindo and President of the Jury and professor of Lucia in the Thesis Seminar, Maestro Manuel Gonzalez Casanova. He served as moderator Maestro Felipe Galvan. Why
highlight the names of those who were in charge of classifying the work of Lucia Morett? For one simple reason. For those familiar with the theater environment, academic and cultural life of Mexico, it is clear by the diversity of approaches and thinking represented by these names, that this thesis has been qualified in the field of plurality and openness that must characterize the University Nacional Autonoma de Mexico and has nothing to do with other circumstantial aspects of the life of Lucia, who still suffers the police chase of the Colombian government through the INTERPOL red card issued against him.
Thus, and while she lived forced exile in Nicaragua and in the short time he could live freely after his return to Mexico to face the unfair effects of a slaughter of which she was the surviving victim and four colleagues his life and thought were killed, while the media and society very uninformed and in some cases completely ill-informed, there were to set himself up in court, tried and convicted on two stroke, Lucia focused on work and was born out an idea in your mind just completed their school as an undergraduate student. A thesis put emphasis on formal and thorough investigation of a topic that for some strange reason the Academy theater in this country insists aside as a matter of study. The Collective Creation Theatre.
In principle and as often happens when you start the outline of a thesis, the issue presented a range of possibilities so great that it was necessary to define precisely what would be the starting point. To take the subject of thesis seminar with Master Manuel Gonzales Casanova basic idea began to take shape to understand the conditions of objectivity that any thesis requires. This is how the end of the course (around the school year 2004-2005) Lucia requested through a letter to his former seminary professor, the advice of its position. Although at that time was not possible to start developing it, it continues to advance the creation of a work which, over time, is taken way.
theater collective creation that had great repercussions throughout Latin America from the sixties to be cultural troupe of all revolutionary movements that are conceived and brought to life in the region has a multitude of faces such that even in America, where he also There is a political left active, the theater takes on an identity card.
course Mexico is no exception and during the seventies rise to various groups dedicated to cultivating this new poetic drama led by CLETA. With that picture in front
Lucia decides to seek the essence of the issue in the origins and the places where this way of doing theater has a special significance, and decide to close the circle in two specific countries. Cuba and Colombia with particular emphasis on the latter.
is not a matter of qualitative classifications, much less to downplay the groups that arise in other countries. Mexico inclusive.
is a deep search has its roots far beyond the simple writing of a thesis that superficially meet the bureaucratic requirements for certification. It is time to bring ideology, thought and commitment in a manner consistent work of necessity be the mirror of herself. As simple as a childhood memory whose impact is unforgettable. Having attended the representation of a work of collective creation entitled "Guadalupe years without account" of the theater group La Candelaria in Colombia and have experienced something so special that becomes final.
Perhaps this is the breaking point in which a particular title:
"Colombia, a revolution in theater and theater for the revolution"
This thesis has finally become a reality, with all its consequences, with all the pain that their development has involved, with all its really not looking show nothing but what is in itself. The conclusion of a cycle of student life and future prospects which require their way with the same rights as other workers of the theater. Absurd
exam is that Lucia had to be resolved by means that did not allow his public appearance. Unfair that their family and friends we were not present at her side to celebrate together something that should be as routine like to see her walk down any street in this city or see her perform on stage, which in the end was that the lifestyle she chose, but to the coward who still faces prosecution will always be preferable to their safety and the certainty that sooner or later we will be working together again. In Mesa Redonda
to publicly present their thesis work, his synod, his adviser and the chairman of the jury became aware of the rating given to Lucia Morett broadly coinciding with the academic importance and relevance of their research work.
result? APPROVED
HONORABLE MENTION
0 comments:
Post a Comment