INTERPRETATION
There are two stages: A preview before 1985, which became the pawn in the circus as Real Madrid (Hnos Segura.) Than in those years walking in Mar del Plata and the other is when I start to make theater and pantomime in the same city in a group called "Cronopios." I note in my early lessons learned with Don Eduardo Alonso (Master Techniques Mime Theatre) and the strong influence even after that great clown adoprte with late (and friend of my family) who was called Fernando Lucero: In the learning love the art of mime and the need to delve into everyday learning. In those years, besides studying drama and mime also acted in the group mentioned.
in April this year I MY FIRST 25 YEARS OF OCCUPATION (UNINTERRUPTED)
When did you come to the conviction that could profesionalizarte in interpretation?
After conducting several studies in Mar del Plata, I was able to see me act Don Alberto Aguero, a prestigious professional performing arts of Argentina. I was invited to join the Society of Alberto Agüero, acting in the legendary book "The Circus of Alberto Agüero." (Moliere Award. Starfish Awards, etc.) with this teacher I finally know what a professional contract. In 1987 debut in that company. In the season opener at Globe Theater in Buenos Aires.
Any Internet address where we can see something from you?
http://www.youtube.com/watch?v=w0-Dfn4K490
http://www.youtube.com/watch?v=srnq7zpL2yo
http://www.youtube.com/watch?v=083vU50LW3I
http://www.youtube.com/watch?v=ogaS5Yzzps8
http://www.youtube.com/watch?v=10q4dkfnNuU
http://www.youtube.com/watch?v=c5JLr786flM
http://www.youtube.com/watch?v=abpS33l8-BA
http://www.youtube.com/watch?v=yITsz1cHvgk
http://www.youtube.com/watch?v=HcqlclX1mIk
http://www.youtube.com/watch?v=iLWMw-tTpNA
http://www.youtube.com/watch?v=NngKM8KV8Kk
http://www.youtube.com/watch?v=GE0uLd_yrY4
http://www.youtube.com/watch?v=3f5Ggpm0_sw
The most important and defining work in your career
are many, but I remember with great affection shows such as "Graffiti" Dir by Baldin and Rodriguez. "El Circo de Alberto Agüero" Dir by A. Agüero. "Reflections on Silence" by J. Dir Baldin. "Stories economicomicas" Hugo Gregorini Dir. "A Soldier's Story" Dir Marcelo Perticone, F. Bello. "Subway Manager." Dir Baldin-Berbedes "The Chalet de Gardel" Dir Carlos Moreno. "Babylon laughs." and Three Blind Mice (Both directed by Hector Malamud.) "Let It Plop Plin" my second-person, or "Circus Plop" etc ... ah me today olvidadaba rogozija me do "The Meteretes What's behind that door? of Berbedes and Lerman with Dir J. Baldin and performances by Valeria Tertia my traveling companion! ... and quite sure I have left at least 30 more shows to remember, but ... without doubt the most important was to create the "First School of Urban Circus." of Argentina (1996) with her my Mime Theatre Company & Art Circus "Charivari" (1994)
Do some interpretations that I have served as reference in your evolution?
"The Partenaire" in "El Circo de Alberto Agüero. Mr Plop in" Laberintus Circus "in which I put into practice a whole array of resources, from the action, through the techniques of mime, acrobatics, trapeze ... in this show, which undoubtedly is the most important among the major (although not named above) won with my dental Mime Theatre and Circus Arts "Charivari" 6 awards at the 1st National Theatre Festival in Ocean del Plata. and several nominations in other awards. but back to the answer highlight several characters made in a English Agency working on Europa Park (Germany.) or the character of "The Soldier" in "The Soldier's Tale by Igor Stravinsky and directed M. Perticone, F. Bello. I recently served for evoluciionar the character of "The Doctor" in the play "The King Dies" by Eugene Ionesco. In movies I have made several important characters for my career development and to highlight named three: "The Man" in the "Salvation" Dir G. Panarisi. and D. Medeia. (Spain) "A Scientist" in "Eternity" by J. Castelejo (France-Spain-) or "Martin" in "Miss Amnesia" by D. Ramirez (Spain.) ... and of course remain unnamed insurance number will then appear.
three actors and three actresses that you like:
Sean Penn. The English Ramiro Melgar and Javier Bardem. The Argentina actress Valeria Tertia. The English actress Carmen Maura Rosana Pastor and .
What kind of psychological preparation, physical and emotional do before a performance?
Day function at a very early try to be concentrated, even engaged in other activities. I also do many works of relaxation, breathing, stretching, etc. It is essential for me to be no less than three hours before my venue reviewing my material, stylized makeup, or simply relax and focus. Fundamental order and good cheer, and always emotionally whatever I do I spend function to my parents, my daughter and my affections away. Cross myself and go out with the right foot on stage ... even when the first step in visual scene to the viewer what I on the right foot ...
What is your criteria for selecting projects?
Important containing me. Must be professional (or at least appear so because lately I keep a big distaste for working with amateurs, professionals were thinking ...) should be of high quality and stage should primarily be addressed primarily to enable the viewer to enjoy: I I can not stand the shows under which only look at the navel and mentally masturbate making a job for 5 or 6 viewers ...
What kind of communication is established with the directors?
Front and sincere. ongoing participation and consultation. Do not believe the actor-puppet or the puppeteer-director: The stage performance is a joint effort in which each party must run like clockwork, and everyone should know exactly what you need to do is essential to address the actor actor ... but there is no theater, so the relationship with management is ongoing teamwork.
What is the archetype of character that tend to typecast?
actor. But I excellently villain villain ... lol
Is there a role that had a particular difficulty for you?
usually the first test came with the letter known ... to try to suffer as little as possible with the evolution of or characters, each role has its complexity, its dark story, their pain and joy to blossom Skin: I had complications with "Moe" in "Three Blind Mice" or "The Soldier" in "The Soldier's Tale." I have dealt with a lot of loneliness and anguish creating the "Doctor" "The King Dies" ... each creation carries thousands of difficulties, even advanced and the season and that's what makes the art scene is an art full of life .. .
Do you see yourself in this same office in twenty years?
no doubt. and probably in my next reincarnation reborn as Actor. As Mimo or Director. Maybe Clown ... (Small-town circus) undoubtedly born to die as an artist.
What do you do to kill time waiting in the casting? Leo
review books or the acting, writing, or just get it about time for not having to wait.
you still forming you in classes, seminars or courses, and combine it with your professional activity?
Si. Is key to progress and face the profession with complete freshness, I am currently taking a course in Writing and Drama Comedy Theatre with Mr. Alfredo Allende, in Buenos Aires. Training provided should be linked to a better performance in work. Is very grateful to get to work knowing that you are aware. (And updated)
fetish Is there a role you have not played yet and you between the eyes to do some day?
"The Man." in Krapp's Last Tape. I would have liked to play Puck in "Dream of a Summer Night" ... like me ... Charles Chaplin to life or someone appears and I intend to make life Armando Discepolo ... anyway there are thousands of papers that I have wanted to do ... if not give me time to make jajajajaja but ... if ... there are several ...
Describe the best and worst, in your experience, every media: film, theater, television.:
best film is the very complex world that conforms to the time of making history , its microcosm that interconnect with each other to shape a global world called FILM. The worst thing about cinema is inaccessible, especially in Argentina (where I currently reside) it is to enter production professionals, because the filters are usually so many that you end up not to have so many unpleasant castings that lead nowhere. The film is magic, the world around him makes vulgar.
The theater is a temple where one goes to confession at every performance, theater and creation is a mystery, magic and passion is the greatest art in the arts. The downside of the theater is the ease with which it let to much improvised, believed to be entitled to act. (Or directing a project)
In the current TV has almost no room for artistic interpretation: Anyone can enter, just throw a fart in F minor, the television was half massive served the arts, and not, perhaps will be in the future, the television must regain respect and style of education, entertainment and communication made it into every home. That spirit was lost (especially in large cities.) We must recover the television for education and good taste. Necessary. This question would fail to mention another great way RADIO: Survivor of oral communication that reaches it alone where no way you can get, even with the arrival of new technologies.
Is there any scene or character that never interpreted by moral issues, principles, or simply personal taboos?
No. interpret what he believes to be interpreted according to the quality of the project and its final destination is the public. But even knowing that is an interpretation and that the actor represents, moral states, passions, I have no problem in representing or interpreting or that I propose: My style is that each character is born, grows, it reproduces and dies each time there will be the backdrop or the light turns red ... then everyone returns to their world and so live together harmoniously.
you say that your tools of the actor belongs to a particular school or method?
could say that the tools I got my Masters are what led me to seek more and better schools.
What director would you like to read this interview? What kind of role you would have offered?
... Dayub Mauritius. Carlos Moreno. Benito Gutmacher. Villanueva Cosse. Lito Cruz. Franco Dragone. Philippe Genty. Leo Bassi, Hugo Gregorini ...
and many more ... paper? I would not think that project is working every one of them at this time, but usually when someone calls me is because he has in mind to give a lot more professional that to be the uncle of the protagonist, even though so this character and convened by some of these important references, would be proud to work with them.
ever thought about leaving the profession? If yes, when? Why not?
I have not had that opportunity because for 25 years is my way of living and interacting with the world.
One reason to do this work
A? is hardly ever told ... "... The theater communicates to the people, unifies feelings and emotions, drama is a powerful way of interfacing between the most different races and life forms, the theater is life and life is theater, theater is the enemy Silent dictators will never mute, because if you deny the word reborn silence and theatrical power ... the gesture ... the body ... it is impossible to hide ... the theater is my way of life ... In the variety of my training as well as scenic Mime, Actor or Director always Clown redeem me, because I love this life ... "The circus is a way of life and many choose the man. The Clown is a way of being like so many there.'s Circus and the Clown simply engaged to deliver happiness on earth. " (Mr. Plop)
What do you feel when people recognize you on the street?
I am a worker of the performing arts in all its forms, I have never will be clear that neither a popular nor a media. Art needs of workers, not celebrities. But answering this question, every time I leave my place of work is very nice that people will wait and then returns on the lived ...
What advice would you give to someone who wants to start in acting?
There is only one way to begin and end in this profession, and is, STUDYING! working, sweating, respecting @ s @ s compañer whatever their condition ... tod @ sl @ s that come in this Art (In this particular case I mean the Art of Mime but it is traspola performance throughout the whole, and is that one way or another we get caught, because we note that once you start walking paths extend more and more, is not or Actor or Clown Mime in an intensive, Mimo It is (or artist) on conviction and dedication, maybe life is leaving us and we did not try this but in the greatness. Joaquin
Baldin '• The Word of a mime. "
Buenos Aires. Argentina
© Joaquín Baldin '• The Word of a mime. "
Web address for this interview: http://www.whohub.com/joacobal
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