Tuesday July 14, 2009
Lucia Morett and theater. A REAL RELATIONSHIP (PART)
Much has been questioned about theatrical life Lucia Andrea Morett Álvarez, this woman who all think they know through what is said it in the media, the woman about which everyone speaks with a property such that seem to have lived with it every single day of your life.
Anyway, Lucia Morett has become the living symbol of the polarization that plunges the country into an absurd debate on what seems to divide the world in a reductionist and simple to both sides, left and right with their ultras . Polarization seems to be the "success" more visible step in a country's war "shut up chachalaca" and "win haiga been like haiga been" the land of endless war "against drugs" with their respective share "Some lives will be lost" (killed by full, decapitated, mutilated and tortured), the country of lawlessness where a social activist is sentenced to more than one hundred years in prison and in contrast to old drug dealers and bank robbers were reduced penalties only 25 or 30 years whom have served the greater part, where the authorities concerned have not been able to resolve a lengthy string of homicides against women that seems to be endless, which is not prosecuted perpetrators of fraud and white collar criminals or where the Supreme Court Justice of the Nation chooses to delay the response to demand justice for the parents of 48 children killed in the name of the irresponsibility of a government and its rotten and stinking bureaucracy on social security because now is the time to go on vacation.
Amid all this chaos society turns into a kind of civil war through the media to condemn or defend a woman whose personal reality is completely unknown and which is recognized only by what is now news.
be judged, he wishes the worst, requires tough-it assumes, is demonized, it is called terrorism, states that kidnapped, who put bombs, wielding guns and then sentence him the most embarrassing display of ignorance and arrogance that has been seen in a long time in this nation where, except for those little opportunities to rant about something and against someone physically FAIL NOTHING to change the harsh reality.
And not only been called into question the undeniable truth about the theatrical life of Lucia Morett but sometimes seeks to evade or deny the data, attributing the whole affair a political or legal issues, for the origin of this whole situation has of its edges in this research field that his proposed thesis required to acquire real value and a weight that transcends the mere collection of data held in a library.
have manipulated the actual data generated by all the circumstances arguing for example that belied UNAM Lucia deny having authorized, as an institution, an academic mission in Ecuador, is true. UNAM does not lie, neither does Lucia. The reality is: The UNAM has given its full support. Lucia
never claimed to be there for the institution and if self-employed said they seized the opportunity to meet circumstantial a guerrilla camp to investigate possible cultural events that could occur in that place and specifically those of a theater that, despite who would even exist and are real, thinking all the time in the benefit that this visit could bring to that argument that she was planning to do about the forms of theater emerged in Colombia in the last forty years. All
guerrilla movement has generated art forms more or less level poetry, music, theater, storytelling, art and other etceteras. Mexican theater groups from the late seventies have known the experience of traveling Central and South America in difficult circumstances giving functions or giving workshops, staying in safe houses of the guerrillas or have participated in exchanges of cultural amid infighting of these countries. The theater, beyond the academy, has a social function and not an art whose aim is nothing more than mere entertainment.
This thesis emphasizes both deny there is a work whose academic rigor in the area of \u200b\u200bresearch has value in itself, in It outlines the concern of a theater student to find the true meaning of this social function is imperative that the theater should be, it can access the grounds that a person has to study for a degree in Dramatic Literature and Theatre named after viewing the mounting of a play called "Guadalupe years without account" written and directed collectively by a group called "La Candelaria" originating in Colombia, it is those values \u200b\u200bthat question takes for granted the Academy to study an art whose origins are not been elucidated fully, finally, it discusses the need for professional document that has not been abridged by a field that allows access to knowledge of evidence not yet been said but, as the thesis Lucia - evidently there.
Lucia Morett and theater. A REAL RELATIONSHIP (PART)
Much has been questioned about theatrical life Lucia Andrea Morett Álvarez, this woman who all think they know through what is said it in the media, the woman about which everyone speaks with a property such that seem to have lived with it every single day of your life.
Anyway, Lucia Morett has become the living symbol of the polarization that plunges the country into an absurd debate on what seems to divide the world in a reductionist and simple to both sides, left and right with their ultras . Polarization seems to be the "success" more visible step in a country's war "shut up chachalaca" and "win haiga been like haiga been" the land of endless war "against drugs" with their respective share "Some lives will be lost" (killed by full, decapitated, mutilated and tortured), the country of lawlessness where a social activist is sentenced to more than one hundred years in prison and in contrast to old drug dealers and bank robbers were reduced penalties only 25 or 30 years whom have served the greater part, where the authorities concerned have not been able to resolve a lengthy string of homicides against women that seems to be endless, which is not prosecuted perpetrators of fraud and white collar criminals or where the Supreme Court Justice of the Nation chooses to delay the response to demand justice for the parents of 48 children killed in the name of the irresponsibility of a government and its rotten and stinking bureaucracy on social security because now is the time to go on vacation.
Amid all this chaos society turns into a kind of civil war through the media to condemn or defend a woman whose personal reality is completely unknown and which is recognized only by what is now news.
be judged, he wishes the worst, requires tough-it assumes, is demonized, it is called terrorism, states that kidnapped, who put bombs, wielding guns and then sentence him the most embarrassing display of ignorance and arrogance that has been seen in a long time in this nation where, except for those little opportunities to rant about something and against someone physically FAIL NOTHING to change the harsh reality.
And not only been called into question the undeniable truth about the theatrical life of Lucia Morett but sometimes seeks to evade or deny the data, attributing the whole affair a political or legal issues, for the origin of this whole situation has of its edges in this research field that his proposed thesis required to acquire real value and a weight that transcends the mere collection of data held in a library.
have manipulated the actual data generated by all the circumstances arguing for example that belied UNAM Lucia deny having authorized, as an institution, an academic mission in Ecuador, is true. UNAM does not lie, neither does Lucia. The reality is: The UNAM has given its full support. Lucia
never claimed to be there for the institution and if self-employed said they seized the opportunity to meet circumstantial a guerrilla camp to investigate possible cultural events that could occur in that place and specifically those of a theater that, despite who would even exist and are real, thinking all the time in the benefit that this visit could bring to that argument that she was planning to do about the forms of theater emerged in Colombia in the last forty years. All
guerrilla movement has generated art forms more or less level poetry, music, theater, storytelling, art and other etceteras. Mexican theater groups from the late seventies have known the experience of traveling Central and South America in difficult circumstances giving functions or giving workshops, staying in safe houses of the guerrillas or have participated in exchanges of cultural amid infighting of these countries. The theater, beyond the academy, has a social function and not an art whose aim is nothing more than mere entertainment.
This thesis emphasizes both deny there is a work whose academic rigor in the area of \u200b\u200bresearch has value in itself, in It outlines the concern of a theater student to find the true meaning of this social function is imperative that the theater should be, it can access the grounds that a person has to study for a degree in Dramatic Literature and Theatre named after viewing the mounting of a play called "Guadalupe years without account" written and directed collectively by a group called "La Candelaria" originating in Colombia, it is those values \u200b\u200bthat question takes for granted the Academy to study an art whose origins are not been elucidated fully, finally, it discusses the need for professional document that has not been abridged by a field that allows access to knowledge of evidence not yet been said but, as the thesis Lucia - evidently there.
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