Tuesday, June 29, 2010

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Lucia Morett and theater, a real relationship ( PART TWO)

Lucia Morett and theater, a real relationship (PART TWO)
"In the crowded geography American proliferate where the shameful military dictatorship and civilian rule and democracy are the exception, there is the continuing struggle of the working class and peasants, intellectuals, academics, church, resulting in progressive underground struggle, urban and rural or open guerrillas against these tyrannies. In those countries where the fight against police brutality is a daily activity of the progressive and democratic forces, the theater has become a powerful weapon. For their synthesis, can condense theatrical language situations, thoughts .... To clarify positions, teach ... "

These words, written by Domingo Piga, Chile, professor of Philosophy Chair of Theatre and Head of the Department of Theatre at the University of Chile in 1972, serve to make clear the need and relevance of the degree thesis and Lucia Andrea Morett why the search field supposed to be held and that was cut with the additional balance of the death of his four brothers thought and life. Lucia

But, beyond this thesis is the culmination of his academic work, is a professional theater that decided the path of his life from an early age. Maybe not that day that - even as a child - was fortunate to see on a stage mounting the play "Guadalupe, years without account" of the theatrical group "La Candelaria" in Colombia, but maybe at that time that with seven years had first chance to step on a stage set for recite a little poem entitled "A brief biography of a Vietnamese child" of the Cuban poet Jesus Cos Cause. It was then subjected to the magic of theater and even if that is a truism (perhaps many actors will tell the same story) is in the person of Lucia a special meaning because, throughout his life until the day appointment with her professional life she was growing not only in their desire to be someone in the theater, but in its social and political awareness to pull together the two issues in this crucial decision for your future.

Lucia Morett is an actress, not because they can call any person who decides to do theater, but because it was prepared for it. The BA in Dramatic Literature and Theater offered, the date on which Lucy decides to study this career (2000), three options for specialization. Direction, Dramaturgy and Acting. She chooses the latter because they want to have a voice is heard, it speaks loud and clear and know that from the stage can do battle for a better world. At least that's their vision, perhaps contrary to the desire so common between those who want to be actors or actresses to become famous and earn good money to go on television or make movies and be part of a magical world and surrounded by dozens of bright reflectors thousand watts each. Lucia ... Andrea, is certain he knows what he wants and where to find it. Inhabits the scenarios always with the intention of saying anything, he cares very much what is said, that the play in which participates take a message. Thus, studying only the second year of the degree she decides to join the so-called Black Light Theatre Company, a tribe quite bizarre and disparate entities formed by twenty of the most heterogeneous theater given the task of counting on the stage the story of Sacco and Vanzetti, two Italian immigrant anarchist ideology sentenced to death in the United States for a crime he did not commit in 1927. She represents the character of Luisa Vanzetti, sister of Bartholomew Vanzetti. His work is, despite being an actress in training is impeccable. The experience lasts more than three years (2001-2004). (Cont)

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